Currently Coordinating Producer for all facets of this video production, which involves drafting budgets, securing locations, hiring crew, and scheduling shoots. Additionally I am the Field Producer & Director, managing the production, approving shots and camera placement, working with DP, Camera, G&E, and Sound, guiding interviews for optimal visual looks, and rich informational quality, expected by my client. Lastly, I am the primary Editor on this project, providing numerous string outs, rough cuts, special edit projects, and final picture locks, according to the clients requests.
Summary
Since 2006 I have been working as a freelance Camera Operator ranging from Doc/Reality TV, Corporate Video, to Feature Films. I own my own pro level Digital and Analog Cameras, Lighting, and Sound gear, and am no stranger to the one man band scenario.
Credits
5/23 – Current
Producer/Production Manager/Field Producer/Director/Editor – Disease Related Video Interview Series
Online — Corporate — Neurocine Biosciences Details
5/23 – Current
4/23 – 4/23
Camera Operator (Sony FX9) – Too Large (Season 2)
TLC — TV — Crazy Legs Productions Details
4/23 – 4/23
B-Camera Operator, Verité/Reality Scene coverage, B-Roll, cross coverage, for sensitive weight and health related show content. Additional work included massive green screen set up for Before and After shots, along with OTF's.
4/23 – 4/23
Camera Operator (Sony FX9) – NY Homocide (Season 2)
Oxygen — TV — ITV America Details
4/23 – 4/23
B Camera Operator for sensitive, sit down style interview with show subject. Assisted DP in setting up cameras, lighting subject and background for mood, consistent with the show's subject matter. Operated B Camera, making sure interview subject was always in focus and properly framed according to production company standards.
12/22 – 4/23
Camera Operator (Sony FS7 MK2) – Breaking the Ice (Season 1)
WE tv — TV — ITV America/Sirens Media Details
12/22 – 4/23
Camera Operator, Lighting set up, assisting Field Producers with staging scenes, capturing story/vérité, B-Roll, GoPro set ups, etc.
1/23 – 1/23
Camera Operator (Sony FS7) – First Time Fixer (Season 2)
Discovery — TV — Blind Nil - Magnolia Details
1/23 – 1/23
Camera Operator, duties included collecting verité, cross camera coverage of show talent, hand held walk-throughs of current process of the location, "corners coverage" and detail shots, interiors and exteriors.
6/22 – 11/22
Producer/Production Manager/Editor – Medical Malpractice Mock Trial Video Training Series
Online — Corporate — Medical Mutual Details
6/22 – 11/22
I was the Producer, Production Manager, Field Producer, DP, and Editor, for a video series produced for Medical Mutual. The video series focused on a mock malpractice trial that was presented to employees to train them on how their company manages legal defense for their clients in a malpractice situation. The all day event was condensed into 8 separate training videos, intended for internal purposes.
11/21 – 11/22
Producer/DP/Editor – Epilepsy Video Series
Online — Corporate — Neurocine Biosciences Details
11/21 – 11/22
I was the Production Manager, Field Producer, DP, and Editor, for a video series produced for Neurocrine Biosciences. The video series focused on interviews with Neurologists and Doctors, with a specialty in this rare disorder, regarding diagnosis & treatments, and also sensitive interviews with caregivers who raise and care for their children afflicted with a rare form of epilepsy that hampers their development during infancy into childhood.
8/22 – 9/22
Producer/Shooter – Ugliest House In America (Season 3)
HGTV — TV — Big Fish Entertainment Details
8/22 – 9/22
As Producer/Shooter, my duties and responsibilities included total coverage of the demolition and restoration of Season 03's winning home. I documented complete process with a handheld camera systems, as well as constantly setting up and restating GoPro action camera for timeless process and specialty action shots. Other important coverage included shooting scenes with corporate trade-outs. Additional duties included shipping and receiving trade-outs. Coordinating with lead contractors and contracting teams, collecting releases, and correspondence with the production team as boots on the ground for this production.
Media
Recos
Education
Class of '98
University of Maryland Baltimore County
BA Visual & Performing Arts - Filmmaking
My Gear
Skills
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