Eugene Gordon

Won the 2018 Emmy for Unstructured Reality Program and Outstanding Picture Editing

Managed Storage DNA for Archive and Restore, Ingesting Footage through Edit Ready, Avid, a Batch Media Encoder, Sync and Group, Uprez.

Managed Storage DNA for Archive and Restore, Ingesting Footage through Edit Ready, Avid, a Batch Media Encoder, Sync and Group, Uprez.

Edited English and Spanish Version

Backing Up Footage, Transcoding Tapeless Footage to Pro Res, Syncing, Grouping, Exporting Cuts, Managing Project.

-Edited and delivered on-air promos for OFF Camera Season 4 (Premiere Pro CC and Final Cut) - Versioned out of promo spots. Exporting and delivering these spots through Aspera after proper QC - Compressing and uploading social versions of spots to YouTube and Vimeo - Transcoding production footage. - Pulling scene lifts/interstitials/showcases, adding proper end cards and delivering after getting approval through MediaSilo approval system - Authoring DVD’s, Managing system, etc - Pulling shots and conforming to proper specs for graphics

Editor responsible for both editing and story editing Responsible for Mix and Color. Compressing and uploading social versions of spots.

Backing Up Footage to a NAS, AMAing and Transcoding Tapeless Footage, Syncing, Grouping, Outputting, Script Syncing, ISIS Management, Adding Space and Creating new Workspaces, Creating New Projects, Distro'ing Folder and Bins to Projects, Managing Space on ISIS, Tapeless and Tape Online, Outputting Promos, Backing-up to LTO

Backing Up Footage to a NAS, AMAing and Transcoding Tapeless Footage, Syncing, Grouping, Outputting, Script Syncing, ISIS Management and, Tapeless and Tape Online, Outputting Promos, Backing-up to LTO

Backing Up Footage to a NAS, AMAing and Transcoding Tapeless Footage, Syncing, Grouping, Outputting, Script Syncing, ISIS Management and, Tapeless and Tape Online, Mic Requests for Mix, Outputting Promos, Backing-up to LTO

Lead editor responsible for both editing and story editing

Edited string-outs of contestants of previous seasons Sunday's Best to be chosen for the All-star Team, on Avid Symphony and utilizing Avid Interplay Assist. Output through Telestream Flip Factory and upload to Wirecast to be distributed for Producers to chose All-stars.

Backing Up Footage, Transcoding Tapeless Footage to Pro Res, Syncing, Grouping, Exporting Cuts, Managing Project.

Backing Up Footage, AMAing and Transcoding Tapeless Footage, Digitizing, Syncing, Grouping, Outputting, Script Syncing, ISIS Management, Adding Space and Creating new Workspaces, Creating New Projects, Distro'ing Folder and Bins to Projects, Deleting Renders and Online Manage Space, Tapeless and Tape Online, Mic Requests for Mix, Outputting HDCAM Promos.

Backing Up Footage, AMAing and Transcoding Tapeless Footage, Digitizing, Syncing, Grouping, Outputting, Script Syncing, ISIS Management and, Tapeless and Tape Online

Recording live Textless TV cut from the Studio Truck onto DVCPROHD Deck.

Backing Up Footage, AMAing and Transcoding Tapeless Footage, Digitizing, Syncing, Grouping, Outputting, Script Syncing, ISIS Management and, Tapeless and Tape Online, Mic Requests for Mix

We Ran Out of Money, promo for feature film Burn. Lead editor responsible for both editing and story editing Compressing and uploading social versions of spots.

Backing Up Footage, AMAing and Transcoding Tapeless Footage, Digitizing, Syncing, Grouping, Outputting, Script Syncing, ISIS Management and, Tape Online, Mic Requests for Mix

Digitizing all tapes at night that come in from both shooting teams at night. Send out outputs Internally and to Network I prep production integration lists, trade-out lists, check voice over scripts. Prep the emails to send out Internally and to OWN with proper paperwork attached.

Ingesting, Red, and DSLR footage and Syncing and grouping it.

Assists with exporting cuts to the network, executive producers, and other internal personnel. Online the show to full resolution once the show became locked. Syncing, Grouping, and Script Sync.

Assists with exporting cuts to the network, executive producers, and other internal personnel. Syncing, Grouping, and Script Sync, and Tapeles and Tape Online, Mic Requests for Mix

Ingest and trans-code footage too high resolution to replace low resolution footage. Over-cut all offline GFX for Online GFX. Prep for final outputs for audio mix and color for theatrical.

Edited, worked with directors and producers on the multiple cuts, colored video, and prepped for final output for web based media.

Assists with exporting cuts to the network, executive producers, and other internal personnel. Syncing, Grouping, and Script Sync and Tapeless and Tape Online, Mic Requests for Mix, Outputting DVCPROHD Masters to Tape

Lead editor of independent film on high school wrestling that was shown in theaters across the country.

Grouped and Synced footage for Documentary. Tape Online and Output master to Digibeta.

Editor, for a film that won the Founder's Choice Award at the GI film Festival and was picked up by the Military Channel and shown on Memorial Day in honor of the veterans.

Assists with exporting cuts to the network, executive producers, and other internal personnel. Online the show to full resolution once the show became locked. Syncing, Grouping, and Script Sync.

Assists with exporting cuts to the network, executive producers, and other internal personnel. Online the show to full resolution once the show became locked. Syncing, Grouping, and Script Sync.

Assists with exporting cuts to the network, executive producers, and other internal personnel. Online the show to full resolution once the show became locked. Syncing, Grouping, and Script Sync.