Evan Houston

Assistant and junior editor. Organized and facilitated the post-production of several documentary features in various stages of production. Most of these features utilize extensive archival material, so in addition to the routine AE duties of ingesting media and project organization, my responsibilities included logging and tracking thousands of archival stills and video elements. I also had the opportunity to cut trailers and sizzles for many of these projects.

Assistant and junior editor. Organized and facilitated the post-production of several documentary features in various stages of production. Most of these features utilize extensive archival material, so in addition to the routine AE duties of ingesting media and project organization, my responsibilities included logging and tracking thousands of archival stills and video elements. I also had the opportunity to cut trailers and sizzles for many of these projects.

Assistant and junior editor. Organized and facilitated the post-production of several documentary features in various stages of production. Most of these features utilize extensive archival material, so in addition to the routine AE duties of ingesting media and project organization, my responsibilities included logging and tracking thousands of archival stills and video elements. I also had the opportunity to cut trailers and sizzles for many of these projects.

Lead AE on streetwear documentary BUILT TO FAIL, directed by The Hundreds founder Bobby Kim and premiering at the LA Film Festival 2017. Responsibilities included organizing AVID project, ingesting and backing up media, grouping and syncing multiple camera / audio sources.

Assistant and junior editor on several ads and commercials for boutique production company Strike Anywhere. Clients include Facebook, Instagram, Skype.

Assistant editor on marketing campaigns for several studio films including UNBROKEN, PAN, AMERICAN SNIPER. Responsibilities included ingesting tapeless media, organizing projects for editors, grouping and syncing multiple camera and audio sources, prepping EPK b-roll and soundbites for delivery.

Organized footage and edited several short form internet videos for 2014 Creative Arts and Primetime Emmy Awards featured on www.emmys.com

My career in post-production started at HCO, where I was hired as a footage logger on the night shift. This entailed watching down thousands of hours of behind-the-scenes footage on studio films such as THE LONE RANGER, PAIN AND GAIN, and DAWN OF THE PLANET OF THE APES, and being able to help guide producers and editors to the best footage for their marketing featurettes. After becoming more familiar with AVID Media Composer, I was promoted to assistant editor, juggling several additional responsibilities, including ingesting tape and tapeless media, organizing projects for editors, syncing and grouping multiple camera and audio sources, prepping EPK b-roll and soundbites for delivery, and junior editing duties on several featurettes and sizzle reels.

Logged hundreds of hours of BTS footage for DVD marketing and EPK pieces, maintaining logging documents and specific project codes for several major motion pictures at a time.