Enrique Rene Zarate

Ran triax from "drop-boxes" to cameras around the field. Assisted camera operators in transporting and dropping gear in designated locations. Ability and use of game carts and pallet jacks. Lead in rigging 3 smpte drops on the 7th floor down to the trucks and secured all lines for 2 cameras and a spare. On field camera cable wrangler, making sure lines are free and clear while running up and down the sidelines, clean coils all while keeping clean lines and 90 degree angles. Proficient at 1st, 2nd and 3rd/pile positions. After game, I'd wrap up lines and help load out. With strength I am lead in coiling distro legs and neatly throwing back onto the truck, picking up gear around the field, detaching and delivering smpte drops safely and working with the crew to get the appropriate gear in the correct trucks. We had 3 semi's we loaded and organized. With strength, I helped push all gear onto the trucks as well as organized inside the trucks. Camera operator gave me a A+ rating on this game.

Ran triax from "drop-boxes" to cameras around the field. Assisted camera operators in transporting and dropping gear in designated locations. Ability and use of game carts and pallet jacks. Lead in rigging 3 smpte drops on the 7th floor down to the trucks and secured all lines for 2 cameras and a spare. On field camera cable wrangler, making sure lines are free and clear while running up and down the sidelines, clean coils all while keeping clean lines and 90 degree angles. Proficient at 1st, 2nd and 3rd/pile positions. After game, I'd wrap up lines and help load out. With strength I am lead in coiling distro legs and neatly throwing back onto the truck, picking up gear around the field, detaching and delivering smpte drops safely and working with the crew to get the appropriate gear in the correct trucks. We had 3 semi's we loaded and organized. With strength, I helped push all gear onto the trucks as well as organized inside the trucks. Camera operator gave me a A+ rating on this game.

I played many hats on this production. I worked as a: Producer, Co-Director, 1st AD, Location Scout, Cinematographer and Director of Photography, however, I was only credited Cinematographer/Location Scout. I sponsored all gear used in this film and was in charge of lighting, camera framing and movement dependent on the scenes. With no 1st AD, I ended up running the set in order to speed up the shoot day as we were running out of time in our main location and needed to get content in order to make our film in the allotted time. I helped co-direct as our initial director ended up working with make-up effects and boom operating audio for our picture. I worked with talent, gave notes and action cues for them to hit certain marks and timing for background and foreground talent. I initially came up with the idea for our film in a pre-production meeting 3 days before we started the festival and was able to lock down a much needed location last minute to enhance the look of our film. The film went off to receive 5 award nominations for the 2019 San Antonio 48hr Film Project.

(Load In) - I unloaded truck and ran DT12, Tac12, Video Mults and Camera Fiber through a underground piping system to receive cables by field. Ran and rigged 800' of fiber to 3rd base hard camera, 600' to announcer booth having to rig through the building, 500' to 1st base hard camera, 750' to center-field tight, 750' center-field shag, 750' to center-field drop, 600' outfield right foul, 800' 3rd base dugout and 1st base dugout. Then I ran (2) 600' DT12's to booth for talent announcers, 500' behind home plate for 1st and 3rd. Then I ran 600' of video mults to talents booth and 500' in the dugout behind home plate for our robotics camera. Then I ran 600' of tac12 to the talents booth and 500' to the dugout behind home plate for our robotics camera. (During Game) - I was 1st position utility on field camera wrangler, made sure line were free and clear while running up and down stadium stands and behind outfield, clean coils and clean lines. (Load Out) - I was in charge of the load out because I knew how everything was ran and the fastest way we would be able to get it out and on the trucks.

Mounted and operated a dual arm Steadicam chest rig, a 12' track dolly and 12' jib with motorized head. I framed and beautifully lit the scenes as well as the camera movements throughout the piece. I had a 1st and 2nd AC assisting with my stylized shots.

Freelance Camera Operator as independent contractors to shoot basketball games for Under Armour. Responsible for shooting upwards of 20-30+ games for the weekend in an exciting environment featuring the best young basketball players in the country.

Freelance Camera Operator as independent contractors to shoot basketball games for Adidas Girls Gauntlet. Responsible for shooting upwards of 20-30+ games for the weekend in an exciting environment featuring the best young female basketball players in the country.

Assisted and ran camera fiber off truck to and through whole arena to multiple camera locations. Assisted with commentator monitors as well as audio. I worked as 1st utility and was with handheld camera all night coiling and releasing cable cleanly and without disruption.

I operated the lighting and steadicam for the video. I directed my 1st AC in regards to rigs and dolly. We used a few 1Ks, 1K moles and a couple 2x4 Kinos. I manipulated the lighting and color correction to enhance the image in the frame. I had a 2 man crew. One 1st AC and 1 grip

Baseball: Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the field. Assisted with audio and lighting in broadcast suite. Set up feed from the broadcast truck to monitors for sport commentators.

Baseball: Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the field. Assisted with audio and lighting in broadcast suite. Set up feed from the broadcast truck to monitors for sport commentators.

Sound Utility, operated / handled a parabolic microphone for the duration of the game to record game sound.

Freelance Camera Operator as independent contractors to shoot basketball games for Adidas Gauntlet Series. Responsible for shooting upwards of 20 games for the weekend in an exciting environment featuring the best young basketball players in the country.

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the field. On field camera wrangler, made sure line was free and clear while running up and down sidelines, clean coils, clean lines, wrapped up lines at end of game, help load out end of night

I took care of the feel of the lighting throughout our scenes. I manipulated and color balanced all fixtures as well as organizing all gear for easy use. I prepped gear before every night of shooting to ensure proper working conditions. They rented out my gear for this production as well. I own a production trailer catered to lighting and camera.

Ran and operated theater spot light. Ran through gels, intensity and iris throughout show depending on wrestler and mood.

Responsible for shooting high quality event footage for use in SXSW promotions and festival sponsor videos. Camera setup and operations throughout entire festival. Captured red carpet interviews, artist Q&A's, shot live concerts with multiple artists. Hours were from early morning to late night.

Created cue sheet for performance, ran and operated theater spot light. Ran through gels, intensity and iris throughout show depending on scene and mood.

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the court. On court camera cable wrangler, making sure lines are free and clear while running up and down court and sidelines, clean coils all while keeping clean lines and 90 degree angles on the court. I'd wrap up lines at end of game and help load out end of the night

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the court. On court camera cable wrangler, making sure lines are free and clear while running up and down court and sidelines, clean coils all while keeping clean lines and 90 degree angles on the court. I'd wrap up lines at end of game and help load out end of the night

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the court. On court camera cable wrangler, making sure lines are free and clear while running up and down court and sidelines, clean coils all while keeping clean lines and 90 degree angles on the court. I'd wrap up lines at end of game and help load out end of the night

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the court. On court camera cable wrangler, making sure lines are free and clear while running up and down court and sidelines, clean coils all while keeping clean lines and 90 degree angles on the court. I'd wrap up lines at end of game and help load out end of the night

Assisted running optic cables around entire stadium, load in all gear and lift into position. Monitor computers during game and manually over ride if anything went wrong. Break down and load out into trucks

Lead handheld/on stage camera operator, knowledge and operator of ENG broadcast cameras, cable lay down and run set-ups for all arenas and venues prior to events, worked one on one with technical director, creatively established shots, adjusted and maintained focus, maintained composition for entire event

Production assistant in charge of coordinating craft services and organizing the service for executives and crew. I went on runs to pick up any needed materials or food for the location of game. I helped with catering and cleaned up for all days of work. I would run any crafty or drinks to the camera operators, skilled utilities or production executives in the trucks. I coordinated with the on-site coordinator in regards to keeping the site safe and running efficiently.

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the field. On field camera wrangler, made sure line was free and clear while running up and down sidelines, clean coils, clean lines, wrapped up lines at end of game, help load out end of night

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the field. On field camera wrangler, made sure lines are free and clear while running up and down sidelines, clean coils, clean lines and 90 degree turns. I'd wrap up lines at end of game and help load out end of the night

Production assistant in charge of coordinating craft services and organizing the service for executives and crew. I went on runs to pick up any needed materials or food for the location of game. I helped with catering and cleaned up for all days of work. I would run any crafty or drinks to the camera operators, skilled utilities or production executives in the trucks. I coordinated with the on-site coordinator in regards to keeping the site safe and running efficiently.

Ran and operated theater spot light. Ran through gels, intensity and iris throughout show depending on wrestler and mood.

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the field. On field camera wrangler, made sure lines are free and clear while running up and down sidelines, clean coils, clean lines, 90 degree turns. I wrap up lines at end of game, help load out end of night

Assisted running optic cables around entire stadium, load in all gear and lift into position. Monitor computers during game and manually over ride if anything went wrong. Break down and load out into trucks

Assisted and ran power off distro to locations "drop-box". Ran triax from "drop-boxes" to cameras around the field. On field camera wrangler, made sure line was free and clear while running up and down sidelines, clean coils, clean lines, wrapped up lines at end of game, help load out end of night

In charge of camera builds for a 3 camera set. Doubled as a 1st AC dealing with checking the gates/lens, changing lenses, holding batteries and media cards. Operated a Mark D III with a 24-105 L series lens with a 5X follow focus rig to help with clean focus pulling.

Sound Utility, operated / handled a parabolic microphone for the duration of the game to record game sound.

I was a cast and crew driver of a 12-passanger van and drove a 16'-21' grip truck, crafty runner, assisted in mail deliveries, clean production office and interview rooms, crafty display for office and on site. I was in charge of table/pop up tent truck, unloading and install of pop up tents, tables and crafty for challenge sets and elimination sets. I helped move cars through the mud with my Texas mud knowledge and was an all around pleasure to work with.

Build and operate Sony HDC-1500. Readjust and moved another 4 Sony HDC-1500 to best vantage point in the theater. Broke down and packaged all cameras and CCU cables after production wrapped.

Assisted and controlled exterior lighting and sources to subject. Rigged production elements for the scenes and built Dana Dolly with leveling in rugged atmosphere. Carried all production gear to and from set as well as helped with loads.

Controlled the lighting of the piece. Oversaw details in the frame, and manipulated the lighting to enhance the image in the frame. Ran a crew of 12 including Gaffer, Key Grip, 5 grips, (2 Camera Team Units) and ran A Unit Camera.

Camera operated on a Canon 60D on to top of lighting the set with a 2K Mole Soft, a 1K ARRI soft, 1 650 Source Four Par, 2 48' LED soft and a 300w tungsten kicker for the back. We ran a 12' track dolly for the piece

Freelance Camera Operator as independent contractors to shoot basketball games for Adidas Global Nations. Responsible for shooting upwards of 20 games for the weekend in an exciting environment featuring the best young basketball players in the country.

Controlled and operated the camera during production. Created the feel of the framing in regards to the audience and controlled any changes needed within the camera.

Controlled the lighting of the piece. Oversaw details in the frame, and manipulated the lighting to enhance the image in the frame.

Controlled the look and flow of the video. Worked one on one with the talent and extras. Overlooked the lighting style of the piece and directed movement for the frames.

Operated a 12' jib with Jr motorized head for dynamic shots and coverage.

Camera Operator: provided the following services, including but not limited to: coverage of shot list to the directors specs, composition and framing, operations of external recording devices to camera setups, communication between other camera operators in the field.

Director: provided the following services, including but not limited to: prepping the crew and gear prior to each shoot, cinematography of the shoot, data transfer and media organization between production breaks, and post production editor consultation.

Producer: provided the following services, including but not limited: to organizing logistics and management services in regards to production shooting, securing signatures for talent release forms, location release forms and non-disclosure agreements, master licenses.

Controlled the feel of the piece along with lighting for picture and client structure. I communicated and helped make the talent comfortable when interviewing on site. I organized questions dealing with their new company concepts as well as what they needed to grow and what investors they are looking for in order to grow in size and cities.

I acted as their field producer, director and camera operator. It was a small team consisting of a audio engineer a reporter/driver and me. I coordinated the best shots for the shoot and executed technical maneuvers. I added my own equipment to theirs to improve the execution of gear.

Assisted with organization of products and tables. Handed out flyers to a special event pertaining to a new game. Organized and coordinated guests when opening doors to the main event. Helped seat all guests. Set up tables and organized product "swag" to handout to everyone after the event was finished.

Controlled and operated the camera during production. Created the feel of the framing in regards to the audience and controlled any changes needed within the camera. Steadi-cam Operator. Controlled the lighting of the piece. Oversaw details in the frame, and manipulated the lighting to enhance the image in the frame.

Directed the flow of the piece. Organized all elements in pre-production in regards to the shoot. Creatively turned the words on the scripts into images on the screen

Operator of Panasonic AV-HS450N 16+ live video switcher for over 330+ Blue Man Group shows, operator of two remote joystick control AMX PTZ cameras, creation and implementation of digital signage content though use of Fourwinds Content Manager application and various third party applications (Adobe Photoshop, Adobe Illustrator, Adobe After Effects, etc).

Operator of Panasonic AV-HS450N 16+ live video switcher for over 330+ Legends in Concert shows, operator of two remote joystick control AMX PTZ cameras, creation and implementation of digital signage content though use of Fourwinds Content Manager application and various third party applications (Adobe Photoshop, Adobe Illustrator, Adobe After Effects, etc).

Controlled the lighting of the piece. Oversaw details in the frame, and manipulated the lighting to enhance the image in the frame.

Controlled the look and flow of the video. Worked one on one with the talent and extras. Overlooked the lighting style of the piece and directed movement for the frames.

Lead camera operator. Knowledge and operator of ENG broadcast cameras, cable lay down and run set-ups for all arenas and venues prior to events, worked one on one with technical director, adjusted and maintained focus, maintained composition for entire event

Camera Logger A: Responsible for camera notes and information pertaining to contestants and footage. Side by side with the camera operator and assisted with any other needs he may have had. I logged all information and reported to production at the end of day.

Knowledge and operator of ENG broadcast cameras, cable lay down and run set-ups for all arenas and venues prior to events, worked one on one with technical director, adjusted and maintained focus, maintained composition for entire event

Knowledge and operator of ENG broadcast cameras, cable lay down and run set-ups for all arenas and venues prior to events, worked one on one with technical director, adjusted and maintained focus, maintained composition for entire event

Lead handheld/on stage camera operator, knowledge and operator of ENG broadcast cameras, cable lay down and run set-ups for all arenas and venues prior to events, worked one on one with technical director, creatively established shots, adjusted and maintained focus, maintained composition for entire event

Camera setup and operations throughout entire festival. Captured red carpet interviews, artist Q&A's, shot live concerts with multiple artists. Hours were from early morning to late night.

Creatively came up with music video concept and idea for client, developed storyboard and shot list for clients approval.

In charge of tracking daily progress for production schedule, arranging logistics, preparing daily call sheets, checking on cast and crew and maintaining order on set to ensure coverage of all needed shots.

Directed the flow of the piece. Organized elements in pre-production in regards to shoot. Creatively positioned and directed camera operators for framing. Creatively turned their product concept into an exciting event during SXSW. Directed talent on green screen for purpose of post. Oversaw editing to ensure vision of our client.

Anytime a band was on tour & stopped in our city, I was in charge of assembling my crew and covering the concert for "punkrockvids.com". I handled all communication between the touring manager and the venue. Would set up in the best vantage points in the venue for action shots.

Directed the flow of the piece. Organized pre-production elements in regards to the shoot. Creatively turned the words from the song into images on the screen.