Gerrick Ross

Los Angeles, CA

Summary

My journey has been a great one with creating story ideas and coming up with beats to move stories in the direction it takes to complete a show. I enjoy working with talent and directing cameras on small and large scales.

Credits

1/24 – 3/24

Field Producer – College Hill, Celebrity edition (Season 3)

BET — TV — 3 Ball Productions Details

1/24 – 3/24

My responsibilities included tracking the story, prepping professors, directing cameras, managing the cast, managing time, managing the crew, and maintaining the morale of the crew while on set.

4/23 – 6/23

Supervising Producer – Empty Nest Refresh (Season 1)

Roku — TV — Velvet Hammer Details

4/23 – 6/23

I was responsible for beats, ensuring talent knew where to be and when to be there. I made sure talent knew the story we wanted to tell that day beforehand—delivering field notes to post and other producers. Leading a production team into the day and delivering information on what we are trying to achieve with the camera and the story that we are presented with on that day. I also managed and maintained a fun work enviroment

6/22 – 9/22

Supervising Producer – Survive The Raft (Season 1)

Discovery+ — TV — Critical Content Details

6/22 – 9/22

Driving story beats and keeping camera angles and conversations cohesively flowing to tell a story.

2/21 – 3/21

First Assistant Director – NCGG (Season 1)

BET — TV — Kingdom Reign Entertainment Details

2/21 – 3/21

My duties included but not limited too, making sure the set ran smoothly while assisting the Director with cast movement, floor direction, set-up of scenes and looks for scenes. Directing crew as needed putting out fires before they began to flame. Keeping production value high with talent and crew. Making sure every day is a good day with the team.

7/20 – 9/20

Senior Field Producer – Put A Ring On It (Season 1)

OWN — TV — Lighthearted Entertainment Details

7/20 – 9/20

Job included but not limited to running a team in the field, tracking story, tracking segment budgets, keeping track of story, liaison between cast and production.