Summary

Seeking experience in all areas of film production, paid or unpaid, on productions in New York City. Some experience as PA, gaffer, and grip. Writer/director of two independent films, Randall (short, 2012) and A Place To Stay (feature, in post).

Credits

1/14 – 1/14

Writer Coffee Date

Film (Feature-length) — Terrible Parrot Details
1/14 – 1/14

Co-recipient of SC Indie Grant.

7/13 – 7/13

Production Assistant Girls (Season 3)

HBO — TV
7/13 – 7/13
7/13 – 7/13

Production Assistant Unforgettable (Season 2)

CBS — TV
7/13 – 7/13
9/12 – 9/12

Production Assistant (Assistant) Southern Comfort

Film (Feature-length) — CMSB
9/12 – 9/12
7/12 – 8/12

Director (Writer) A Place to Stay

Film (Feature-length) — Terrible Parrot Films Details
7/12 – 8/12

In addition to writing and directing the film, I was responsible for many duties normally performed by Line Producer or Assistant Director, as we did not have an AD every day. Additionally, I served as everything from gaffer to transportation, as dictated by production schedule and the situation at hand.

9/11 – 9/11

Production Assistant My Sister Sam

Film (Feature-length) — Terrible Parrot Films Details
9/11 – 9/11

As a PA on a small, independent film, I was responsible for multiple duties, including managing cast schedules/continuity, distributing sides, locking down the set, and working with the grip department.

7/11 – 8/11

Director (Writer/Director) Randall

Film (Feature-length) — Terrible Parrot Films Details
7/11 – 8/11

As a film with a budget under $5,000, Randall required all crew members (and cast) to serve in whatever capacity was needed, including script supervisor, live sound, lighting, electrical, line producer, and bering responsible for craft services.

3/10 – 4/10

Production Assistant Autumn Rising

Film (Feature-length) — Terrible Parrot Films
3/10 – 4/10

Recos

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Education

St. Mary's College of Maryland

B.A., Philosophy

Loyola University (MD)

M.Ed., School Counseling