Our primary responsibility was to watch raw footage and write detailed tape logs, constructed from concise minute by minute summaries of actions, locations, and developing story lines. We indexed legal documents and personal information for all non-cast individuals that appeared in footage. Editors and assistant editors occasionally requested our assistance locating specific footage. We would alert the story department when we discovered footage that had potential for compatible incorporation into established story arcs.
Summary
Adaptable, charismatic post-production specialist looking for work opportunities that will develop my passion for editing, cinematography, lighting, and crafting engaging narratives, or will challenge me to expand my skills in new and exciting directions.
Credits
10/15 – 1/16
Transcriber/Logger – The Real World (Season 31)
MTV — TV — Bunim/Murray Productions Details
10/15 – 1/16
6/15 – 8/15
Production Assistant
Staff Position — TriCoast Studios Details
6/15 – 8/15
Production duties were to orchestrate, construct, and disassemble studio and in-the-field sets involving lighting, audio, and camera departments. Additional duties were to catalog and inspect licensing and distribution agreements for accuracy and renewals, and keep the studio organized, to facilitate a fluid, flexible, and efficient workplace.
6/15 – 8/15
Post Production Assistant – Bad Kids Go 2 Hell
Film (Feature-length) — BKG2H Productions LLC. Details
6/15 – 8/15
Post production duties consisted of VFX as a compositor for the feature "Bad Kids Go 2 Hell", later re-titled "Bad Kids of Crestview Academy." Aside from that film, I was assigned to construct digital media and footage for an instructional series available via streaming & DVDs.
Recos
Education
Class of '16
University of Central Florida
Bachelor of Arts (B.A.)/Film/Cinema/Video Studies
Skills
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