Gregory Locklear

• Proofed, formatted and distributed all creative documents, beat sheets, outlines and drafts to EPs, writers, studio and network. • Tracked continuity and timelines for 3 seasons of an epic, international, historical action-drama. • Managed and organized filing and system security for all releases; generate ALIAS scripts/sides for international clearance and to secure the integrity of creative material from censorship. • Assisted writers and EPs with story breaks, pitches, room notes and relevant research. • Anticipated needs of departments and writers related to script changes, story/timing continuity and studio/network notes. • Intimately familiar with Final Draft, Adobe and Scenechronize software.

• Attended all Tone and Concept meetings; tracked and notified directors of script continuity and production changes; facilitated communication between directors, department heads and EPs to ensure a coordinated and well-informed production team. • Managed on-set DA teams for three units during 23 weeks of shooting. • Supported five directors on location in Hungary, Slovakia and Malaysia (Pinewood Studios) including personal and production-related admin, scheduling, tone and production notes, historical research and a sympathetic ear.

Mentor program writers through the creative process, from treatment to screenplay.

Assisting field producer-director Alex Stapleton with TakePart Live/TakePart World's Rwanda Tech segments highlighting how young Rwandans are using technology to bring their country into the future of mobile telecommunications, health care, agribusiness, socially conscious crowd-funding platforms, etc.

Script coverage and story analysis for feature film and TV projects in development. References and coverage samples upon request.

Developed pitch concept, treatment and prep script for a feature-length documentary on exploitation producer-director Roger Corman; Co-produced interviews with Corman, Martin Scorsese, Jack Nicholson, James Cameron, Ron Howard and many more; Consulted closely with director and editors on story development; Researched/ sourced film’s archival material and film clip footage.