EP/Showrunner/Director - oversee all aspects of the production from casting through post. Multicamera directed, talent management
Summary
21 years experience producing and directing unscripted television - large format network music competition shows and cable ensemble cast docu-series, DIY, adventure programs, animal and nature programming. Field and post, DGA member.
Credits
2/20 – 11/20
Executive Producer (EP) (Showrunner) – Dog: Impossible (Season 2)
Nat Geo Wild — TV — High Noon Entertainment Details
2/20 – 11/20
4/19 – 11/19
Co-Executive Producer (CoEP) (Showrunner) – Saved By The Barn (Season 1)
Animal Planet — TV — High Noon Entertainment Details
4/19 – 11/19
Show-runner in the field. Director, . Responsible for all things happening on set. Executing the planned content smoothly and efficiently while ensuring that the story tracks, has stakes and an arc. Also directing cameras and talent - work with the DP to come up with a unique style to shoot the show while staying on brand. Editing in my head as we go so that all the pieces are there for post. Manage large cast - difficult talent Manage all talent/crew calendars and daily/weekly schedules Communicate all happenings and story with the executive in post and the network executives. Make final decisions when on location /approve everything/put out fires/surround myself with a great team to collaborate with. Manage and delegate to my team Communicate, collaborate with the production management team on efficiency vs story needs and budget - I ask my PM 'how can we get this done within our means'
1/19 – 4/19
Director – Mila & Emma
YouTube — Digital — Whiz Bang Details
1/19 – 4/19
Created content for the youtube channel Integrated brands and products they promote Directed 2 4 year old girls
8/18 – 12/18
Co-Executive Producer (CoEP) (Showrunner) – Dog Impossible (Season 1)
Nat Geo Wild — TV — High Noon Entertainment Details
8/18 – 12/18
Show-runner in the field. Director, . Responsible for all things happening on set. Executing the planned content smoothly and efficiently while ensuring that the story tracks, has stakes and an arc. Also directing cameras and talent - work with the DP to come up with a unique style to shoot the show while staying on brand. Editing in my head as we go so that all the pieces are there for post. Manage large cast - difficult talent Manage all talent/crew calendars and daily/weekly schedules Communicate all happenings and story with the executive in post and the network executives. Make final decisions when on location /approve everything/put out fires/surround myself with a great team to collaborate with. Manage and delegate to my team Communicate, collaborate with the production management team on efficiency vs story needs and budget - I ask my PM 'how can we get this done within our means'
9/17 – 12/17
Supervising Producer – American Idol (Season 16)
ABC — TV — 19 Entertainment
9/17 – 12/17
8/16 – 11/16
Supervising Producer – Chrisley Knows Best (Season 5)
USA Network — TV — all3media america
8/16 – 11/16
3/16 – 8/16
Supervising Producer – Dr. Dee Alaska Vet (Season 2)
Animal Planet — TV — High Noon Entertainment Details
3/16 – 8/16
Ran the field day to day shooting
8/15 – 1/16
Supervising Producer – Douglas Family Gold (Season 1)
Oxygen — TV — Voto Latino/ Wilmer Valderrama Enterprises
8/15 – 1/16
Unions
Recos
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Education
Class of '97
San Diego State University-California State University
BFA/Theater
Skills
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