Gina White

• Oversee the daily workflow of a three-member music licensing team • Draft, negotiate and interpret a high volume of master and synch licenses for domestic and international TV & film marketing campaigns •Generate music budgets and provide guidance on alternative licensing term options •Negotiate blanket music license agreements and flat rates with music libraries work-for-hire agreements in connection with social media campaigns • Track terms and expiration dates in rights management database

Secured permissions for all 3rd party elements; Consulted with producers and legal to assess clearance needs; Established photo and stock footage accounts and negotiated fees; Organized Appearance and Location releases for network deliverables; Advised departments of legal restrictions to ensure contractual compliance.

• Negotiate fees and set up accounts with major photo and footage vendors • Secured licenses for clips, music, photos, artwork and all 3rd party materials • Assisted in the creation and maintaining of rights management database • Reviewed rough cuts for potential clearance and S&P issues

• Negotiate fees and set up accounts with major photo and footage vendors • Tracked appearance, location and trade-out agreements for final delivery • Review rough cuts to resolve legal issues and to ensure credit obligations • Consult with production attorney to discuss fair use opportunities

-Negotiate fees and set up accounts with photo and stock footage vendors -Negotiated master and synch licenses in connection with music usage -Create third party elements usage report and generate music cue sheets -Track weekly budget in connection with use of all third party materials

-Licensed all clip, photo and third party elements for use in production -Reviewed rough cuts and promotional spots for potential clearance issues -Tracked appearance, location, and trade-out agreements for final delivery

Screened rough cuts for clearance and S&P issues. Compiled final show delivery binders for network. Generated blur list for online editorial.

-Negotiated license agreements for use of promotional clips and photos -Coordinated all music request with outside music licensing company -Submitted daily cost reports in connection with use of third party elements -Categorized appearance releases and clip licenses for final show delivery