Ingest/Transcode raw footage from C300, DSLRs, and Archival footage. Stacks and groups footage for editors and story producers. Logs tapes and database organization for footage for library and archives. Outputs projects in proper codecs for internal review, and web. Field requests for assemblies and pulls, and troubleshoot technical problems.
Summary
Professional experience in production and post-production of documentary films, live sports, live news, reality TV, and digital animation. Expert level knowledge of Adobe CS, Final Cut Studio, and Avid Media Composer.
Credits
10/23 – 11/23
Editor (Avid) – Untitled 2023 CrossFit Games Documentary
Film (Feature-length) — Check Point Productions
10/23 – 11/23
9/23 – 10/23
Editor (Avid) – All Access: Canelo vs Charlo (Season 41)
Showtime — TV
9/23 – 10/23
3/23 – 7/23
Editor (Avid) – Destination NBA: A G-League Odyssey
Prime Video — Film (Feature-length) — Religion of Sports
3/23 – 7/23
10/21 – 1/23
Editor (Adobe Premiere) – Sincerely LA
Film (Feature-length) — Someone Great Pictures LLC
10/21 – 1/23
5/22 – 8/22
Editor (Avid) – McGregor Forever (Season 1)
Netflix — TV — Religion of Sports
5/22 – 8/22
5/21 – 6/21
Editor (Adobe Premiere) – Eyes On The Prize
HBO Max — Film (Feature-length) — Trilogy Films
5/21 – 6/21
4/21 – 4/21
Editor (Avid) – Beyond the Music
MTV — TV — Wildseed Films
4/21 – 4/21
12/20 – 3/21
Editor (Avid) – Disrupt and Dismantle (Season 1)
BET — TV — Soledad O'Brien Productions
12/20 – 3/21
Recos
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Education
Class of '12
The University of Texas at Austin
B.A/Economics
Class of '12
The University of Texas at Austin
B.S/Radio, Television, & Film
Skills
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