Beth Smith

What began as an editing and post producing job grew to shared showrunning responsibilities with an amazing producer while we revised our entire workflow to work remotely on a show that was conceived around being shot in an entirely different format. Very rewarding experience.

Edited the majority of the (often elaborate) packages for the live show as well as the cutdown for syndication and gained a lot of on the fly in the field experience being present for the four hour live event and helping to make last minute changes and additional features up until the air day.

Worked with two other editors to create two clip shows and a behind the scenes special as a lead in to the new season.

Worked on various spots, award packages, and montages to be used as on stage live elements and repurposed for broadcast.

Jumped on board an edit in progress to help fully revamp and finalize a pilot concept.

As the senior editor, I worked alongside the showrunner to help conceptualize what was going to be a very new style of show, intermixing various established genres of reality. After the pilot, I often worked independently much of the time, creating the structure, voice over copy, and visual design of each episode before a late stage review process of adjustments and notes with fast turn around.

As the senior editor, I worked with our showrunner to establish the look and style of the show. Together we created the aesthetic, the structure, and the sound to make our spin-off unique but still evocative of the original. We received a series order off the strength of our pilot.

Effectively edited as two separate episodes, it was my job to join the Halloween special together as seamlessly as possible, making adjustments for new act timings and inserting new footage specific to the special Halloween event -- all while working in tandem with two other editors.

As an editor on GA, I often worked independently, structuring the episodes and writing much of the voice over copy before undergoing a review and revision process collaboratively with my producer.

For much of this massive project, I collaborated as part of a two person team working on editing, sound design, sound remixing, and writing the first pass of the majority of voice over.

As assistant editor I served as associate producer as well, helping to structure the episode and writing copy for voice overs. I provided string outs and more refined cuts for air. When called to, I did sound design, color, and would occasionally use After Effects to create graphic design elements.