Concept to completion. Produced all aspects.
Summary
Director of Photography/Preditor. Single to multi-camera direction. Preditor of long and short form compelling content.
Credits
5/16 – 6/16
Producer/Shooter – United Way Campaign 2016
Corporate — XLerator Media Group Details
5/16 – 6/16
1/15 – 4/16
Producer (Director of Photography) – For The Love of Spock
Film (Feature-length) — 455 Films Details
1/15 – 4/16
Producer/Line Producer/DOP. Budgeted and tracked film. Created sizzles for crowd funding campaign. Determined media capturing/finishing approach (4K). Helped guide creative with director. Was the Director of Photography.
3/16 – 3/16
Director of Photography (DP) – Entertainment Tonight (Baywatch Segment)
CBS — TV — Gulfstream Productions Details
3/16 – 3/16
DOP for ET segment on Baywatch filming in Miami.
1/16 – 1/16
Director of Photography (DP) – In Focus /Bellator/Dada 5000
Spike TV — TV — Bellator MMA/Spike TV/Viacom Details
1/16 – 1/16
Documented day in the life of Dada 5000, an MMA fighter preparing for an upcoming bout
3/15 – 5/15
Director (Preditor) – Sommore "The Reign Continues..."
BET — Live/Special Event — The Woolley Group Details
3/15 – 5/15
Directed this live multi-camera comedy show. Scouted, worked with EP on set direction, brought in and worked with lighting director on look of show. Shot, directed and edited show open.
1/14 – 1/15
Producer (DOP/Editor) – Chaos On The Bridge
Netflix — TV — 455 Films Details
1/14 – 1/15
Producer/DOP/Editor. Worked with EP David Zappone and William Shatner in determining the direction and tone of this documentary. Researched and found animation company in Romania to produce graphics. Supervised every aspect of the production from concept to sizzle and ultimately delivery.
6/14 – 8/14
Director (Editor) – Cirque Holidaze
PBS — Live/Special Event — International Media Details
6/14 – 8/14
Directed this multi-camera holiday special filmed in Baltimore. Incorporated GO-Pro cameras with shows acrobats in addition to the 7 cameras covering event to give the viewer unusual viewing angles. Switched live show, determined camera positions and seat kills. Interfaced with venue in negotiating camera positions and platforms. Edited show.
2/13 – 7/14
Producer (DOP/Editor) – Get A Life
Netflix — TV — 455 Films Details
2/13 – 7/14
Supervising Produced/DOP/Editor
Orgs
Recos
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Education
University of Miami
Bachelor of Fine Arts Film and Television
Skills
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