Ingesting, transcoding, overcutting, requesting media from production, assisting with changes for notes and prepping for finish
Summary
I am a graduate of Virginia Tech, aith a BA in Theater and Cinema, focus on Cinema. I have been working in post production for 3 years and am now an Assistant Editor. Most of my time as an AE involves ingesting, transcoding and prepping for finish.
Credits
9/17 – 9/18
Assistant Editor (Avid)
Staff Position — Open Road Entertainment Details
9/17 – 9/18
12/15 – 12/16
Office Production Assistant
Staff Position — Gurney Productions Details
12/15 – 12/16
Runs to pick up equipment, crafty, lunch, coffee etc. Assist the Show coordinators with whatever is needed from logging lower thirds to moving office equipment and furniture to different suites. Dropping off packages and ensuring delivery.
1/16 – 1/16
Production Assistant – So Alone
brentpella.com — Digital Details
1/16 – 1/16
Assisting Director with production
12/15 – 12/15
Set Production Assistant – Marvel's Agent Carter (Season 2)
ABC — TV — ABC Studios and Marvel Television Details
12/15 – 12/15
My main duty was managing traffic on-set, and I also handled some other administrative tasks, to keep the shoot running smoothly.
12/15 – 12/15
Camera Production Assistant – DIY Holiday Show Spirals Out of Control
brentpella.com — Digital Details
12/15 – 12/15
I was responsible for the slate. I also assisted with setting up camera equipment and lights to the DP's specifications.
12/15 – 12/15
Camera Production Assistant – Famous Players
Digital Details
12/15 – 12/15
Assisting the Director of Photography
11/15 – 11/15
Second Assistant Director – Guide to your Holiday High School Reunion
YouTube — Digital Details
11/15 – 11/15
As the Second Assistant Director, I ran the slate, helped dress the set, unloaded and loaded equipment and helped with crafty. There was no PA on set, so I had to fill in for that role as well.
7/15 – 11/15
Digitizer (Night)
Staff Position — Gurney Productions Details
7/15 – 11/15
I digitized footage for Duck Dynasty 8/9, Leah Remini 2 and Fat N’ Furious 2, capturing an average of 50-60 DVCPros and MiniDVs per week, into Avid. Before locked cuts were sent out, I would bring the resolution up to DNxHD 220X and 175X for 29.97fps and 23.98fps projects, respectively. In my time as a digitizer, I was even given the opportunity to cut a rough sizzle reel for the development team.
Recos
Education
Class of '15
Virginia Polytechnic Institute and State University
Bachelor of Arts (B.A.)/Theater and Cinema
Skills
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