Marcus Peña

Strictly only sound mixed on set for 3 days.

Sound mixed on set and did lots of sound editing.

Mostly did only grip work on all days. Only one day as a Sound Mixer.

Strictly only did sound mixing on set. Rarely any grip work.

Mostly did sound for the entire movie except for the score. Also did lots of grip work and some electrical work.

Set up small table-top cameras, hook up cables to small tabletop cameras and laptops, get water for crew, pace back and forth watching all laptops making sure video is broadcasting, wrap cables, pack gear back in boxes.

Unload truck, taped down cables, drove out to get food, ran water to crew members, plug in cables to cameras and headsets, simple scoreboard for livestream, wrap cables, load gear back in boxes.

Pretty much did everything related to grip and electric. Also had to run 14 stingers total from 2 generators. Worked very close to the DP.

Set up 7 stingers from a generator to power 2 lights in a cave. Also helped set up a 6' x 6'x silk and Flags on C-stands.

Extremely long hours of setting up lights and keeping track of power making certain no circuits broke. Also helped set up 20' x 20' silk, and Flags and gels on windows.

Strictly only sound mixing for 3 days for a documentary.

I helped set up for the Lady Luck gymnastics event. I helped with setting up cables, running to get Gaff tape, printing papers for the team, downloading graphics on laptop, did some graphics during live event, and actually ended up having to shoot the Bars competition part during the event for 4 sessions because of lack of staff (and because I was asked to in the beginning).

Only did sound mixing for 2 of the production days. One was in Phoenix, AZ.

I was assisting the A1 with setting up the mics, RF box, cables, watching levels and adjusting levels to queues on Sound Board, running batteries to camera operators, etc.

Tons of grip work for many days due to the style of the film which was completely all Green screen. All sound was done by Foley and ADR.

I also helped out as a grip or PA, but I did do some sound mixing.

Helped with grip on almost all days. Almost entire movie's sound was replaced in post.

Strictly only sound mixing on set. Very little of grip.

Strictly only did Boom Operator for the entire production.

Helped out as sound mixer on one of the production days.