Summary

7 years of Sound Mixing experience. I own and operate high end gear that covers all budgets. I am well versed in mixing all film genres. I deliever broadcast ready sound with an emphasis on creating the director and writers vision sonically.

Credits

6/20 – 6/21

Sound Engineer Power, Lust and Glory:The story of gold (Season 1)

Audible — Podcast/Audio — Audible.com Details
6/20 – 6/21

Responsible for building and budgeting a Covid safe studio in talents home. Working with overseas producers through Zoom. Responsible for mixing and producing broadcast ready sound.

8/20 – 8/20

Sound Mixer Louie Armstrong tribute

Rolling Stone — Corporate — Christie's Details
8/20 – 8/20

Responsible for recording a live music performance on a extremely traffic ridden street in Queens. Responsible for pre planning microphone to use for approval from producers. Responsible for post production clean up and mastering, which was achieved through Izotope, Protools and Oasis.

5/18 – 5/19

Sound Mixer WWE

USA Network — Live/Special Event — World Wrestling Entertainment (WWE) Details
5/18 – 5/19

Behind the scenes ambience capturing as well as on the fly interviews. Responsible for mixing and booming extra content such as The Edge and Christian Show and other skits and sit down interviews for their streaming service.

2/19 – 2/19

Sound Mixer The Big Nobody

Film (Short) Details
2/19 – 2/19

I was the Mixer/Boom Operator. I was in charge of micing up 4 talent plus boom oping. I ensured that all files were labeled, any pick up lines or wild sound was recorded/added. Worked smart, fast, and delievered broadcast ready sound in a very tight schedule.

8/18 – 10/18

Sound Mixer The Forgotten Boy

Film (Feature-length) Details
8/18 – 10/18

I was in charge of my team which consisted of 1 boom operator and Utility. We were on a very tight schedule so every minute counted when it came to strategizing mic'ing 5 people, car rigs, booming tough locations, etc.

7/18 – 7/18

Sound Mixer Rejectors

Film (Short) Details
7/18 – 7/18

Responsible for mixing and booming. In charge of mic'ing 4 actors and ensuring all notes were organized for editor, all tracks were labeled and organized, and all levels and audio were pristine and broadcast ready.

7/17 – 7/17

Sound Mixer Skin of the Teeth

Film (Feature-length) Details
7/17 – 7/17

Responsible for mixing and booming. Responsible for mic'ing all actors. In charge of delivering clear and precise notes to editor. Responsible for broadcast ready sound.

9/15 – 9/16

Sound Mixer Cnn Heroes

CNN — TV — CNN / Turner Broadcasting
9/15 – 9/16

Media

Recos

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Education

Class of '12

Brooklyn College

B.A in FILM Production

My Gear

  • Aaton Cantar Mini
  • KTek 152CCR
  • DPA 4061
  • Schoeps cmit5u
  • DPA 4017b
  • Sanken COS11D
  • Sennheiser G3 wireless system
  • Denecke TS3
  • sanken cs2
  • Lectrosonics SMQV Transmitter
  • Wisycom Wireless
  • Schoeps CMC6/MK41
  • LR Lectrosonics Receiver
  • LT Lectrosonics Transmitter
  • Tentacle Synch
  • (3) Comteks
  • (1)Lectrosonics SRB
  • Lectrosonics WM Transmitter

Skills

  • Final Cut Pro
  • Adobe Premiere
  • Adobe Audition
  • DaVinci Resolve
  • Boom Operator
  • AVID Pro Tools
  • Production sound mixing
  • Dialogue Editor
  • Sound Utility
  • Izotope RX
  • ADR Recordist
  • Adobe Preimere CC