Summary

Celia, a Coordinating Producer, based in New York, has 1 Coordinating Producer credit and 1 Development Producer credit, and has been a member since 2016.

Credits

6/16 – Current

Coordinating Producer Untitled History Channel Project 1

HISTORY — Reality/Doc (TV) — Talos Films Details
6/16 – Current

 Lead creative research on four, two hour documentaries for the History Channel  AP the 4th and final episode of the series  Work with the showrunner to develop outlines and scripts for each episode  Assist editors in organizing thousands of clips into focused and workable string-outs  Manage a team of APs, Researchers, and PAs across all four episodes in house for Talos Films  Coordinate with archive houses to find and license five decades’ worth of archive for this 75% archive series

10/15 – Current

Development Producer Various

Reality/Doc (TV) — Various Details
10/15 – Current

 Develop documentaries, docu-dramas, & scripted content for Netflix, Amazon, History, NatGeo, PBS, Discovery, Food Network and others  Write treatments, beat sheets, book and article coverages, and decks  Undertake background research, source archival footage, and help assemble sizzle reels  Conduct and cut Skype casting sessions to find appropriate hosts and talent for shows in development Highlights  Lead Development Producer on the company’s first two shows to sell to network; War on Drugs for History Channel and Kiss of Death for ID  Discovered and locked in talent for a number of different reality and doc series in development

7/15 – 10/15

Researcher The New Yorker Presents 1

AMAZON — Reality/Doc (TV) — Jigsaw Productions Details
7/15 – 10/15

 Researched and pre-interviewed talent for segments produced in-house through Jigsaw Productions for new Amazon Original Series  Bookedcrew,wrotecallsheets,assistedinthefieldandhandledthelogisticsofmulti-dayshootsindifferentstates  Developed process for complex archival needs of the show, finding cost effective material, overseeing approved implementation with editors and compiling Fair Use memos  Oversaw edits of all short form documentary pieces and communicated timelines to producers  Worked with producers and editors to find the most cost effective footage for our pieces, saving the show tens of thousands o f dollars

10/14 – 5/15

Research Coordinator The Americans 3

FX — Scripted (TV) — Amblin Television Details
10/14 – 5/15

 Review, research and verify cultural and historical content to assure the accuracy of FX’s Cold War Era soviet spy drama  Coordinate with major TV networks, studios, agents, managers and talent to license third party material for use on the show  Design and manage the creation and approval of all on-screen credits for thirteen season three episodes  Organize project delivery documents upon wrap of the season for the network and Post Mortem documents for future use  Wrote imagined news speeches that aired alongside archival news footage for various episodes during Season 3  Caught historical inaccuracies at every stage of the production–in scripts and on set,from dialogue to wardrobe–saving time and money in Post

7/14 – 10/14

NBC Page Nbc Page Program

NBC — Reality/Doc (TV) — NBC Universal Details
7/14 – 10/14

CNBC |Long Form Production Associate  Assisted with hour-long documentaries. Credits: (Dis)Honesty: The Truth About Lies; White Collar Convicts: Life on the Inside  Pitchedstoryideas,supportedproducerswithresearch,identifiedpotentialinterviewsubjects&conductedpre-interviews  Booked camera crews, assisted on field shoots & maintained the production calendar  Screened, logged & organized raw footage; handled archival research & licensed third party materials

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Education

Fordham University

B.A., Communications & Media