Summary

I have delivered over 300 hours of US and international television for high volume production companies in my 7 years of experience as a post-production supervisor and coordinator.

Credits

4/17 – Current

Post Production Supervisor (Consulting) I Killed JFK

Film (Theatrical) — Barry Katz Entertainment
4/17 – Current
1/17 – 4/17

Post Production Supervisor Wheels That Fail 2

VELOCITY — Reality/Doc (TV) — CMJ Productions Inc.
1/17 – 4/17
1/16 – 4/17

Post Production Supervisor The Know it All Guide to 1

FYI — Reality/Doc (TV) — CMJ Productions Inc.
1/16 – 4/17
1/14 – 4/17

Director of Operations (Post-Production) – Attraction Media Inc.

Details
1/14 – 4/17

Responsible for timelines and budgets to deliver a high volume of non-scripted shows within a tight deadline, including setting up infrastructure from the development stage to delivery • Experience in 4K/UHD and HD workflows, digital deliveries and associated deliverables for broadcast. • Hires post-production team and maintains staff budget for English and multi-language projects • Researched external vendors and managed bids for closed captioning, subtitling, audio mix, descriptive video, versioning, quality control and network deliverables • Excellent proficiency in Excel, Filemaker, Word, Google Docs, Google Mail, and Google Sheets. Also proficient in Avid Media Composer, Final Cut X, Davinci Resolve, Baselight, ProTools, Adobe Suite, database, project management and production scheduling software.

1/16 – 1/17

Post Production Supervisor Guilty Rich 1

INVESTIGATION DISCOVERY — Reality/Doc (TV) — CMJ Productions Inc.
1/16 – 1/17
1/16 – 1/17

Post Production Supervisor Outlaw Tech 1

SCIENCE — Reality/Doc (TV) — CMJ Productions Inc.
1/16 – 1/17
1/16 – 1/17

Post Production Supervisor How the World Ends 1

AHC — Reality/Doc (TV) — CMJ Productions Inc.
1/16 – 1/17
1/15 – 6/16

Post Production Supervisor Fatal Vows 5

INVESTIGATION DISCOVERY — Reality/Doc (TV) — CMJ Productions Inc. Details
1/15 – 6/16

Optimize the online process to maximize e ciency, problem- solve potential issues to avoid delays, prioritize and delegate tasks to respond to changing and urgent client or broadcaster requests, set daily priorities of post team, ensure deliveries follow the strictest broadcast standards, on time and in budget, attend key approval sessions for color, VFX sound, legal

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Education

Class of '10

Concordia University

Bachelor of Arts – Specialization Communication Studies

Skills

  • 4K
  • Animation
  • Avid
  • Budgets
  • Compositing
  • Coordination
  • Deliverables
  • Digital Asset Management
  • editing
  • Film
  • Final Cut
  • finance
  • Graphics
  • HD
  • Live
  • management
  • Multicam
  • Non-Scripted
  • offline
  • online
  • Post-Production
  • Premiere
  • Resolve
  • Schedules
  • Scripted
  • supervision
  • Television
  • VFX
  • Workflows