John Ruff

I cut a sizzle real for a TV pitch for a series tentatively titled Follies. I created unique graphics and titles, as well as laying in numerous music tracks and special effects.

I was the DP/Editor for an award winning black and white short film. It was an arduous shoot, with minimal crew, long nights and extremely rough terrain. (But it looked great!)

I was the DP/Editor for an award winning black and white short film. It was an arduous shoot, with minimal crew, long nights and extremely rough terrain. (But it looked great!)

I cut several promo and sizzle reels for the webseries Acting Dead. I also set up, shot and edited cast and producer interviews.

I cut several promo and sizzle reels for the webseries Acting Dead. I also set up, shot and edited cast and producer interviews.

Lead Casting Editor for the expansive show Best Time Ever with NPH. This show included months of work, sizzle reels and a complicated organizations of many different forms of media. Managed a team of 4 additional editors over a project consisting of multiple cities and hundreds of applicants. I worked and coordinated, with both producers on both coasts and my team, from in office and remotely.

Lead Casting Editor for the Fox show The Brain. Managed a team of 3 additional editors over a project consisting of multiple cities and dozens of extremely unique applicants. I worked and coordinated, with both producers and my team, from in office and remotely.

Lead Casting Editor for the A&E show How the Other Half Lives. Managed a team of 2 additional editors over a project consisting of multiple cities and dozens of applicants. I worked and coordinated, with both producers and my team, from in office and remotely.

Lead Casting Editor for the History show Pawnography for multiple seasons. Managed a team of 4 additional editors over a project consisting of multiple cities and hundreds of applicants. I worked and coordinated, with both producers and my team, from in office and remotely.

Lead Casting Editor for the NBC show The One that Got Away. . Managed a team of 3 additional editors over a project consisting of multiple cities and dozens of applicants. I worked and coordinated, with both producers and my team, from in office and remotely.

Lead Casting Editor for the GSN show Sing Date. Managed a team of 2 additional editors over a project consisting of multiple cities and dozens of applicants. I worked and coordinated, with both producers and my team, from in office and remotely.

Lead Casting Editor for the GSN game-show show YDKB. I worked and coordinated, with both producers and my team, from in office and remotely.

Lead Casting Editor for the Bravo show Fan Bad. Managed a team of 2 additional editors over a project consisting of multiple cities and dozens of applicants. I worked and coordinated, with both producers and my team, from in office and remotely.

Was an editor for a Ford/Live Nation web series. Edited 6 episodes of the series, as well as numerous sizzle reels. Worked remotely, using Premiere, After Effects, Photoshop and delivering on both Youtube and Vimeo.

Lead Casting Editor for MSQ. Managed a team of 2 additional editors over a project consisting of multiple cities and hundreds of applicants. Worked from both in office and remotely.

Lead Casting editor for reality singing show with a team of 4 editors. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects. Worked with Casting producers to design an effective pitch for executives.

Worked as a casting editor on the reality show. Edited both host and psychic audition tapes.

Lead Casting editor for reality show with a team of 3 editors. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects. Worked with Casting producers to design an effective pitch for executives.

Lead Casting editor for reality show with a team of 3 editors. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects. Worked with Casting producers to design an effective pitch for executives.

Casting editor for cooking based reality show.

Lead Casting editor for reality show with a team of 3 editors. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects. Worked with Casting producers to design an effective pitch for executives.

Lead Casting editor for the GSN gameshow. Created 2 minute gameshow reels, including a unique title cards using After Effects.

Lead Casting editor for reality show with a team of 3 editors. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects. Worked with Casting producers to design an effective pitch for executives.

Lead Casting editor for reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects. Worked with Casting producers to design an effective pitch for executives.

Lead Casting editor for reality shows. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects. Worked with Casting producers to design an effective pitch for executives.

Casting editor for this internet reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects, for network pitch to industry executives.

Lead Casting editor for cooking based reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects, for network pitch to industry executives. Worked both from home, and in office.

Lead Casting editor for cooking based reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects, for network pitch to industry executives. Worked both from home, and in office.

Casting editor for reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll.

Lead Casting Editor for cooking based reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects, for network pitch to industry executives.

Casting Editor for cooking based reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, for network pitch to industry executives.

Casting editor for cooking based reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects, for network pitch to industry executives.

Lead Casting Editor for this reality show. Created 2-3 minute individualized storylines out of raw casting footage, photos and b-roll, including a unique title cards using After Effects, for network pitch to industry executives.