Summary

Narrative Editor. I adapt myself to each director's style while using my own taste to discover even better ways to communicate their vision. My goal, ultimately, is to deliver to each director a film that surpasses even their most ambitious expectations.

Credits

10/22 – 12/23

Producer Art Thief

Film (Feature-length) — 1916 Films, LLC Details
10/22 – 12/23

Scouted and brought on most of the Post crew and Post facilities, shepherded the film through their departments, supervised VFX, supervised sound design/mixing, cast walla actors and other voice-only parts, coordinated with festivals, hired on and coordinated with trailer editor, represented the film at AFM and festivals, and supervised the creation of DCPs and deliverables.

7/23 – 9/23

Editor The Winemaker

Film (Short)
7/23 – 9/23
1/20 – 9/23

Post Production Supervisor Boys Will Be

Film (Feature-length) Details
1/20 – 9/23

Shepherded film through Color Grading, Sound Design/Mixing, VFX, and Music Composition, and made final deliverables.

5/22 – 1/23

Editor (Premiere) Art Thief

Film (Feature-length) — 1916 Films, LLC
5/22 – 1/23
1/21 – 10/21

Editor (Premiere) Remnants

Film (Feature-length) — Lesnik Productions
1/21 – 10/21
8/19 – 1/20

Editor (Premiere) Boys Will Be

Cozy Bear Cinema — Film (Feature-length)
8/19 – 1/20
10/19 – 12/19

Editor (Premiere) Pregame

Film (Short)
10/19 – 12/19
3/17 – 10/19

Editor (Premiere) Line of Descent

Film (Feature-length) — Level Street Pictures Details
3/17 – 10/19

Co-edited with Rohit Karn Batra.

Media

  • Line of Descent

  • The Monster

Recos

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Education

Class of '13

New York University - Tisch School of the Arts

BFA - Film and Television

My Gear

  • Adobe Premiere Pro
  • Avid Media Composer
  • Adobe Creative Cloud
  • Davinci Resolve

Skills

  • Producing
  • Editing
  • Post Production Supervision