Scouted and brought on most of the Post crew and Post facilities, shepherded the film through their departments, supervised VFX, supervised sound design/mixing, cast walla actors and other voice-only parts, coordinated with festivals, hired on and coordinated with trailer editor, represented the film at AFM and festivals, and supervised the creation of DCPs and deliverables.
Summary
Narrative Editor. I adapt myself to each director's style while using my own taste to discover even better ways to communicate their vision. My goal, ultimately, is to deliver to each director a film that surpasses even their most ambitious expectations.
Credits
10/22 – 12/23
Producer – Art Thief
Film (Feature-length) — 1916 Films, LLC Details
10/22 – 12/23
7/23 – 9/23
Editor – The Winemaker
Film (Short)
7/23 – 9/23
1/20 – 9/23
Post Production Supervisor – Boys Will Be
Film (Feature-length) Details
1/20 – 9/23
Shepherded film through Color Grading, Sound Design/Mixing, VFX, and Music Composition, and made final deliverables.
5/22 – 1/23
Editor (Premiere) – Art Thief
Film (Feature-length) — 1916 Films, LLC
5/22 – 1/23
1/21 – 10/21
Editor (Premiere) – Remnants
Film (Feature-length) — Lesnik Productions
1/21 – 10/21
8/19 – 1/20
Editor (Premiere) – Boys Will Be
Cozy Bear Cinema — Film (Feature-length)
8/19 – 1/20
10/19 – 12/19
Editor (Premiere) – Pregame
Film (Short)
10/19 – 12/19
3/17 – 10/19
Editor (Premiere) – Line of Descent
Film (Feature-length) — Level Street Pictures Details
3/17 – 10/19
Co-edited with Rohit Karn Batra.
Media
Recos
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Education
Class of '13
New York University - Tisch School of the Arts
BFA - Film and Television
My Gear
Skills
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