Summary

An industry professional with over 12 years of experience, Thomas Durant is a Supervising Producer and award winning Editor. When he's not on a show, Thomas is creating his own documentaries and television pitches.

Credits

10/20 – 12/20

Series Producer Car Trek (Season 3)

YouTube — Digital — VINWiki/Tavarish Details
10/20 – 12/20

Was asked back to oversee another season of the series. Once again cultivated the stories with our talent in development and in the field. Directed field crews and cast to achieve the best possible outcome, and distilled the stories in post production to deliver the highest quality product possible within our budget.

8/20 – 10/20

Series Producer Car Trek (Season 2)

YouTube — Digital — VINWiki/Tavarish Details
8/20 – 10/20

Managed story with talent in development as well as in the field. Directed field crews and cast to achieve the best possible outcome, and distilled the stories in post production to deliver the highest quality product possible given the tight budget.

1/20 – 7/20

Director Sound Heals

Film (Feature-length) — Greater Earth Media Details
1/20 – 7/20

Researched, developed, directed, and wrote the feature documentary about sound as a tool for healing. Found stories in the field and chased new stories as they came up, then put over 800 hours of footage together in post to create the film.

2/19 – 7/20

Development Producer

Staff Position — Bright Bay Creative, LLC Details
2/19 – 7/20

As part of a team, developed new series ideas in a number of verticals for a variety of networks, including relationships cultivated with Travel Channel, History Channel, Discovery Networks, MTV, and beyond. Duties included talent scouting, casting interviews, deck building, directing production of sizzle reels, managing field and post crews, and overseeing post production on pitches in the pipeline.

7/18 – 1/19

Supervising Producer Kickin It With Kickstradomis (Season 1)

Complex TV — Digital — Custom Kicks Productions/Bright Bay Creative Details
7/18 – 1/19

Worked primarily in post production to take content from raw footage to a tight, highly-stylized web series. Was instrumental in developing the storytelling and visual style of the project. In the field, directed crew and talent to capture the most compelling content for this short-form series.

9/17 – 6/18

Supervising Producer The Return of Shelby the Swampman (Season 1)

History — TV — Original Productions Details
9/17 – 6/18

Collaborated with network execs, internal Executive Producers, and the show runner to develop and cultivate stories prior to, throughout production, and in post. Made several trips into the field to direct crews and talent to capture the most compelling content. Worked extensively in post with story producers and editors to amplify the arcs and create compelling television.

2/17 – 8/17

Supervising Producer Ice Road Truckers (Season 11)

History — TV — Original Productions Details
2/17 – 8/17

Aided in conception of story telling arcs based on footage compiled in the field, and worked with teams in both Canada and the United States to focus, cut together, and write voice over for the stories.

2/15 – 2/17

Editor (Avid 8 w/Interplay)

Staff Position — Original Productions Details
2/15 – 2/17

Built upon editorial styles of shows while managing edit staff (both in the US and Canada). Locked several episodes of hit History Channel series' Ice Road Truckers (9) and AxMen (9), Supervised on Discovery Channel's "Deadliest Catch: Dungeon Cove" and edited Netflix's "Firechasers".

Media

  • eLearning LMS Training App with Velpic/MyCloudCure

  • FREEDOM OF THE PACK: WOLF FACTS INFO (NON COMMERCIAL)

Recos

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Education

Class of '05

Rhode Island School of Design

BFA (Film/Animation/Video)

My Gear

  • Sony a7S
  • GoPro
  • 35mm Zeiss Prime Lens for Sony
  • 70-200mm Sony Zoom Lens w/Image Stabilization
  • Alpine Wireless Microphone System
  • Sennheiser Ew-112 GA2 Wireless Microphone System

Skills

  • Adobe Premiere
  • Adobe Photoshop
  • Microsoft Office Suite
  • Efficient Management of Massive Amounts of Footage
  • Excellent Editing Prowess
  • Great Managerial and Leadership Skills
  • Profficient Story Telling Ability
  • Solid Grasp On Television Process From Pre-Production to Post
  • DaVinci Resolve Lite
  • Adobe After Effects (CC2017)
  • Avid Media Composer 6.54