- Coordinated daily operation of large scale multi-edit, multi-cam, multi-format realty series. - Comfortable with AVID workflow; assisted with ingesting media, outputting cuts, and lock procedures. - Worked with both tape and tapeless media, including C300 and Red Cam. - LTO back-up and restoration.
Summary
I want to put my creative and technical ability to use on a television, film, or new media project. I make my own comic books and short films, so I'm always looking to learn new skills to add to my repertoire. I am able to work both days and nights.
Credits
6/13 – 9/13
Post Production Coordinator – Street Outlaws (Season 2)
Discovery — TV — Pilgrim Studios
6/13 – 9/13
3/13 – 7/13
Post Production Coordinator (Night) – America's Got Talent (Season 8)
NBC — TV — FremantleMedia Details
3/13 – 7/13
8/12 – 3/13
Post Production Coordinator – Chasing The Saturdays (Season 1)
E! Entertainment — TV — E! Entertainment Television Details
8/12 – 3/13
- Coordinated day-to-day operation of large scale multi-edit, multi-cam docudrama - Tracked episode cuts and editorial schedule; provided episodic delivery docs - Worked closely with Clearance Department in license appropriation - Worked closely with editorial to facilitate delivery of episodes
3/11 – 3/12
Post Production Coordinator – How Do I Look (Season 12)
Style Network — TV — E! Entertainment Television Details
3/11 – 3/12
- Coordinated day-to-day operation of small multi-edit, multi-cam reality series - Tracked episode cuts and editorial schedule; - Provided episodic delivery documents, including Credits and Music Cue Sheets - Worked closely with editorial to facilitate delivery of episodes
5/10 – 2/11
Post Production Coordinator – How Do I Look (Season 11)
Style Network — TV — E! Entertainment Television Details
5/10 – 2/11
- Coordinated day-to-day operation of small multi-edit, multi-cam reality series - Tracked episode cuts and editorial schedule; - Provided episodic delivery documents, including Credits and Music Cue Sheets - Worked closely with editorial to facilitate delivery of episodes
10/10 – 1/11
Post Production Assistant – How Do I Look? (Season 12)
Esquire — TV
10/10 – 1/11
7/08 – 10/08
Transcriber/Logger – The Biggest Loser (Season 7)
NBC — TV — Endemol Shine Group
7/08 – 10/08
7/08 – 10/08
Post Production Coordinator – Warehouse 13 (Pilot)
SyFy — TV — Syfy Entertainment Details
7/08 – 10/08
- Coordinated day-to-day operation of small single-edit, scripted series - Assisted in tracking episode cuts, editorial and VFX schedule.
Recos
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Education
Class of '04
Loyola Marymount University
BA Film Production - Screenwriting
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