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Adam Welby

New York, NY

http://staffmeup.com/profile/id/26351

Education Recommendations

Summary

Message

Award-winning film maker/producer seeking a challenging position in the media industry across all platforms including digital, television and movies.

Credits

8/22 – Current

Producer (Control Room) – On Patrol: Live (Season 1)

Reelz — TV — Half Moon Pictures

8/22 – Current

6/23 – 4/24

Senior Producer – Neighborhood Wars (Season 5)

A&E — TV — Jukin Media Inc

6/23 – 4/24

12/22 – 6/23

Senior Producer – Neighborhood Wars (Season 4)

A&E — TV — Jukin Media Inc

12/22 – 6/23

3/22 – 10/22

Producer – Neighborhood Wars (Season 3)

A&E — TV — Jukin Media Inc

3/22 – 10/22

9/21 – 3/22

Producer – Neighborhood Wars (Season 2)

A&E — TV — Jukin Media Inc

9/21 – 3/22

5/21 – 9/21

Producer – Neighborhood Wars (Season 1)

A&E — TV — Jukin Media Inc

5/21 – 9/21

1/21 – 4/21

Producer – An Animal Saved My Life (Season 1)

A&E — TV — Big Fish Entertainment

1/21 – 4/21

9/20 – 1/21

Producer – Rescue Cam (Season 2)

A&E — TV — Big Fish Entertainment

9/20 – 1/21

4/19 – 1/21

Segment Producer (Live) – Live Rescue

A&E — Live/Special Event — Big Fish Entertainment

4/19 – 1/21

9/20 – 10/20

Producer – Guy's Grocery Games (Season 19)

Food Network — TV — Triage Entertainment

9/20 – 10/20

4/19 – 10/20

Senior Story Producer – PD Cam (Season 3)

A&E — TV — Big Fish Entertainment

4/19 – 10/20

3/19 – 6/20

Live Segment Producer – Live PD (Season 4)

A&E — TV — Big Fish Entertainment

3/19 – 6/20

12/18 – 4/19

Segment Producer – Truth Behind the Moon Landing (Season 1)

Science Channel — TV — Big Fish Entertainment

12/18 – 4/19

9/18 – 4/19

Story Producer – PD Cam (Season 2)

A&E — TV — Big Fish Entertainment Details

9/18 – 4/19

• Wrote full-length scripts, including Host VO & on-camera interview questions • Discovered and acquired clips to air • Worked with editors to cut segments for prime-time • Booked interview talent, including law enforcement officials all across the United States

7/18 – 9/18

Field Producer – The Hustle: Brooklyn (Season 1)

BET — TV — Entertainment One

7/18 – 9/18

3/18 – 6/18

Live Segment Producer – Live PD (Season 3)

A&E — TV — Big Fish Entertainment

3/18 – 6/18

10/17 – 5/18

Producer (Booking, Live Segment) – Returning the Favor (Season 2)

Facebook — TV — Hud:Sun Media Details

10/17 – 5/18

- Produced Live Q&A sessions with talent featured on our series with more than a million followers in the days after air - Traveled across the country to meet with talent and guide them through the Live Q&A process - Ran all cameras and lighting - Fed talent questions and maintained their energy during live streams being viewed by thousands through Facebook Live

5/17 – 10/17

Producer (Booking, Editor) – Returning the Favor (Season 1)

Facebook — Digital — Hud:Sun Media Details

5/17 – 10/17

• Researched and developed stories of ordinary people doing extraordinary things to give back to their communities • Made all aspects of outreach and booking with on screen talent • Wrote treatments and one-sheets for individual stories • Interviewed talent via Skype/FaceTime for sizzle tapes • Oversaw editors, and personally edited, multiple sizzle tapes to be screened by the client’s executives, as well as our celebrity host

3/17 – 5/17

Producer (Casting) – Diabolical (Season 1)

Investigation Discovery — TV — Lion Television Details

3/17 – 5/17

• Researched and pitched true-life stories for season one episodes • Reached out to investigators, families of victims, and prisons to set up on-camera interviews • Organized all of there show's research files to keep the whole team on the same page for the entire season, including managing a system in google docs and a local drive

12/16 – 3/17

Producer (Booking) – Bad Blood (Season 2)

Investigation Discovery — TV — Hud:Sun Media Details

12/16 – 3/17

• Researched and developed sensitive true crime stories for television • Made all aspects of outreach and booking with on screen talent, including family members and law enforcement professionals • Negotiated appearance and archival material rates • Pre-interviewed and prepped talent for filming

4/16 – 1/17

Producer (Coordinating ) – Love & Hip Hop (Season 7)

VH1 — TV — EASTERN (NFGTV) Details

4/16 – 1/17

- Liaison to Production, Story, Post, and Line Producer/EIC - Created and maintained weekly shoot calendar - Maintained “tracker” to ensure creative, cuts, and scene-work are completed and delivered on time - Alerted Showrunner, Line Producer, and EIC if deadlines are in jeopardy of being missed - Supervised locations department - Oversaw clearances (Field/Guest/Materials/ Music) and coordinated with internal Rights and Clearances Department - Tracked green screen scheduling and deadlines - Ensured all permits are in place (minors, locations, experts) - Stayed in constant communication with talent on shoot days, and sent nightly talent schedules - Sent weekly shoot schedule to Producers, Production Management, Locations , and Network (separate email for network) - Followed up with Story Czar to insure unapproved scenes are being sent to network approval for approval

3/16 – 4/16

Associate Producer – The Deadliest Decade (Season 1)

Investigation Discovery — TV — Lion Television

3/16 – 4/16

11/15 – 3/16

Associate Producer (Office and Field) – 6 Degrees of Murder (Season 1)

Investigation Discovery — TV — Lion Television

11/15 – 3/16

6/15 – 11/15

Associate Producer (Office and Field) – Scorned: Love Kills (Season 5)

Investigation Discovery — TV — Optomen Productions Details

6/15 – 11/15

- Contacted and scheduled shoots with interview talent - Set up travel accommodations and interview shoot locations - Researched/fact checked case - Chased down additional leads - Created episode breakdowns - Mapped out b-roll locations - Hired crew

2/15 – 6/15

Associate Producer (Office and Field) – Outlaw Chronicles | Documentary Series (Season 1)

History — TV — EASTERN (NFGTV) Details

2/15 – 6/15

- Ran all aspects of talent start work and payroll - Researched/contacted additional interview talent - Received legal clearance over historic materials - Organized script/recreation breakdowns - Scheduled transportation and maintained wardrobe for talent - Wrote call sheets - Settled receipts/PC orders with PO's and credit card statements

1/15 – 1/15

Story Assistant – Sorority Sisters (Season 1)

VH1 — TV — EASTERN (NFGTV) Details

1/15 – 1/15

- Supervised scripted questions for Producers during green screen sessions - Wrote live logs and tracked time code - Helped rewrite and adapt interview questions with Producers based on talent requests

12/14 – 12/14

Second Second Assistant Director (2nd Unit) – ABYSM

Film (Feature-length) — Isle Empire Pictures Details

12/14 – 12/14

- Led B Unit through the shooting day around all five boroughs of the New York area - Balanced daily budget - Called for action cues and cuts on set - Worked with locations to organize load-ins and load-outs

10/14 – 11/14

Associate Producer – Vanity Fair Confidential (Season 1)

Investigation Discovery — TV — True Entertainment Details

10/14 – 11/14

• Oversaw crew travel and preparation through various states • Wrangled talent and prepped them for on camera interviews • Researched shooting locations for true life crime show • Managed all media from various cameras and audio devices • Filed all camera reports and legal releases

7/14 – 11/14

Production Manager (Producer)

Staff Position — The Prospector Theater Inc. Details

7/14 – 11/14

Produced marketing, in house, PSA, and online materials for a non-profit first run movie theater that trains adults with developmental disabilities. This includes writing, shooting, editing, and directing everything from on-camera interviews, to skits, to green screen segments.

7/14 – 7/14

Key Production Assistant – The First 48 Special

A&E — TV — Kirkstall Road Enterprises Details

7/14 – 7/14

- Wrote detailed shot notes for editing team - Commanded a team of five PA's in setting up holding, the PO, and lunch - Worked directly with the AD to keep production on schedule - Cued actors during complicated shots

6/14 – 7/14

Key Set Production Assistant (Unit ) – A Crime To Remember (Season 2)

Investigation Discovery — TV — XCON Productions Details

6/14 – 7/14

• Coordinated team of four Interns and two PA's with set duties • Stepped in as the 2nd 2nd with B unit when production split into two units • Maintained 20-foot unit truck at start and end of each day • Counted the line during lunch • Kept production notes to keep team on schedule

6/14 – 7/14

Production Coordinator – Jackie Evancho - Think of Me

Music Video — SLAM! Media Group Details

6/14 – 7/14

- Wrote call sheets - Contacted rental houses and placed orders for gear and vehicles - Set up travel schedules - Organized and received signatures for talent release forms, and independent contractor agreements for crew

6/14 – 6/14

Key Production Assistant – The Hunt With John Walsh (Season 1)

CNN — TV — Zero Point Zero Production, Inc Details

6/14 – 6/14

- Coordinated on set responsibilities with a team of six Production Assistants and four vehicles - Helped 1st AD set up and distribute preliminary and final call sheets - Brought large group of actors in and out of HMU and wardrobe, then to set to keep on schedule

1/14 – 2/14

Production Assistant (Set) – Kings Of New York (Season 1)

Style Network — TV — True Entertainment Details

1/14 – 2/14

- Assisted camera operators carrying gear to and from set. - Hung China ball lighting in high class boutique for scene work - Helped set up large, professional slider for entrance shots on Canon c300

11/13 – 2/14

Production Assistant (Set) – Going Deep with David Rees (Season 1)

National Geographic — TV — True Entertainment Details

11/13 – 2/14

- Set up and maintained 15-passenger van - Oversaw and kept inventory of gear during travel for out of state shoots - Charged dionics and walkie batteries on a daily basis - Managed location and appearance releases

5/13 – 11/13

Production Assistant (Story Assistant) – Love & Hip Hop (Season 4)

VH1 — TV — EASTERN (NFGTV) Details

5/13 – 11/13

- Drove and maintained 15-passenger van filled with crew and gear -Wrote live-logs for producers during scenes with multiple characters in fast paced situations - Assisted grip in setting up set lights - Assisted camera assistants with carrying camera gear and lenses to camera operators - Coordinated crew meals each day

3/12 – 4/13

Director of Photography (DP) (Panasonic hmc150p) – Best Sports Bar NYC (Season 3)

Internet — Digital — Sportsrev.TV Details

3/12 – 4/13

• Produced interviews and b-roll segments in fast paced restaurant environments • Directed small crew in setting up lighting and audio • Filmed segments in MLB arenas, press rooms, and locker rooms • Set up and filmed glamour shots of food items

7/12 – 2/13

Production Assistant – Love & Hip Hop (Season 3)

VH1 — TV — NFGTV Details

7/12 – 2/13

• Worked load-in and pre production with Production Managers • Helped AC and Camera Department light live locations and set up cameras • Drove Producers, talent, and company executives to and from set • Organized gear and cameras in storage and transportation vehicles • Managed releases at large, crowded public shoot locations

7/12 – 7/12

Production Assistant – Gold Coast (Season 1)

Bravo — TV — True Entertainment Details

7/12 – 7/12

Assisted in build and break down of long term sets.

1/11 – 7/12

Director of Photography (DP) (Canon 5D, Sony AX2000) – Sphere Presents Sparkle Island

Film (Feature-length) — SPHERE Details

1/11 – 7/12

• Operated the Canon 5D Mark II • Cut and edited all footage in Final Cut Pro, Motion 4, and Photoshop • Helped direct a cast comprising entirely of adults with developmental disabilities • Co-wrote original screenplay • Instructed grip crew on lighting set ups on a shot to shot basis

6/12 – 6/12

Production Assistant

Chase — Advertising — Foglight Entertainment Details

6/12 – 6/12

- Managed equipment runs - Assisted in maintenance of lights and set pieces - Drove producers and crew in production vans

2/12 – 4/12

Production Assistant – The Snooki/Jwoww Show (Season 1)

MTV — TV — 495 Productions Details

2/12 – 4/12

• Organized production office during load-in stage of project • Assisted in construction of and preparation of long term shooting location • Shuttled talent, producers, and crew to airport and various sets

11/11 – 12/11

Production Assistant – The Pitch (Season 1)

AMC — TV — Studio Lambert Details

11/11 – 12/11

• Assisted Producers and crew with construction and management of live corporate environments • Oversaw shipping and maintenance of top of the line camera and lighting equipment

11/11 – 11/11

Production Assistant – Worst Cooks In America (Season 2)

Food Network — TV — Optimum Productions Details

11/11 – 11/11

• Assisted in set construction in professional sound studio and on live locations

6/11 – 6/11

First Assistant Director – Normal (Season 1)

Internet — Digital — Execution Entertainment Details

6/11 – 6/11

- Worked directly under director in keeping set maintained - Oversaw crew schedule - Helped construct elaborate set pieces

6/11 – 6/11

Producer (Producer/Editor) – Town Hall

Sizzle Reel Details

6/11 – 6/11

Producer/Editor

2/11 – 5/11

Director of Photography (DP) (Canon 5D) – Shakesphere Presents Romeo And Juliet

Film (Feature-length) — SPHERE Details

2/11 – 5/11

• Operated the Canon 5D Mark II • Cut and edited all footage in Final Cut Pro, Motion 4, and Photoshop • Helped direct a cast comprising entirely of adults with developmental disabilities • Instructed grip crew on lighting set ups on a shot to shot basis

2/11 – 2/11

Development – Big Brian The Fortune Seller (Pilot)

TruTV — TV — Atlas Media Corp Details

2/11 – 2/11

- Discovered lead talent (Brian Elenson) and interviewed him on camera for development process of show

6/10 – 6/10

Assistant Camera (AC) (Second AC) – Titania

Film (Feature-length) — InByTheEye Details

6/10 – 6/10

• Managed camera lenses and accessories, assisted in construction and operation Canon 5D Mk. II • Directed reflectors and bounce lighting while assisting the DP

5/10 – 5/10

Production Assistant (Assistant to Key Grip) – Hawthorne

TNT Details

5/10 – 5/10

Assistant to Key Grip

2/10 – 5/10

Camera Operator (DV) – University Of Arizona Men's Lacrosse

Details

2/10 – 5/10

3/10 – 3/10

Production Assistant – Whisper To A Scream

3/10 – 3/10

11/09 – 2/10

Production Assistant – Police Women Of Maricopa County (Season 3)

TLC — TV — Relativity Media Details

11/09 – 2/10

• Assisted Camera Technician on set with dolly, crane, and time lapse shots • Organized tech room featuring top of line production equipment • Operated camera car in challenging environment • Maintained crew vehicles and craft services

8/09 – 11/09

Production Assistant – Police Women Of Maricopa County (Season 1)

TLC — TV — Relativity Media

8/09 – 11/09

9/09 – 9/09

Production Assistant (Grip Assistant) – Blood Moon

Details

9/09 – 9/09

Grip Assistant

9/09 – 9/09

Production Assistant (Matt Roehr) – Music Video Fuel Into The Fire

Details

9/09 – 9/09

Matt Roehr

9/09 – 9/09

Production Assistant (WWE) – Wrestlemania Presale Ticket Sale

USA Network Details

9/09 – 9/09

WWE

7/09 – 8/09

Production Assistant – Dr. G: Medical Examiner (Season 5)

Discovery — TV — Atlas Media Corp Details

7/09 – 8/09

- Moved and set up lighting and cameras - Appeared on screen during re-enactment segments

5/09 – 8/09

Development (Intern, Production Assistant) – Staff Casting Directordevelopment Team Member

Syndication — TV — Atlas Media Corp Details

5/09 – 8/09

• Developed television show concepts • Interviewed and cast the lead for a series picked up by TruTV • Researched and interviewed talent • Fact checked for shows, including expert opinions and coordinating conference calls • Prepared pitches and sales tapes for network meetings; media logged/transcribed tapes • Coordinated all aspects of a 3-day shoot

3/09 – 6/09

Production Assistant – Police Women Of Maricopa County Behind Bars

TLC — TV — Relativity Media

3/09 – 6/09

View 52 More Credits

Recos

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Education

Class of '10

University of Arizona

Bachelor's Degree

Skills

Avid
Final Cut Pro
Final Draft
MS Office
Adobe Premiere
Google Docs
Adobe Photoshop

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