● Manage all day-to-day operations including graphic design, visual effects, and picture finishing; hiring, artist development, client expectations, project schedules, budgets and contractual delivery specifications 6 Ballons (Feature) 1922 (Feature) Austin and Ally (TV Series) Smosh: The Movie (Feature) Genie in a Bikini (TV Movie) The Man with the Iron Fist 2 (Feature) Getting On (TV Series) The Little Rascals Save the Day (Feature) Veronica Mars (Feature) The To Do List (Feature)
Summary
Managing and leading creatives, from VFX and Post Producing to Post Supervising to Animation. Experience directing crews on multiple simultaneous projects to achieve the beautiful and the compelling from scratch.
Credits
1/19 – 1/19
Post Producer – 47 Hours to Live
4Digital Media — Film (Feature-length) — MS Film Group
1/19 – 1/19
1/19 – 1/19
Post Production Supervisor – Joe & The Shawl
Digital — Film (Short) — Indie
1/19 – 1/19
1/19 – 1/19
Post Producer – The Donors (Season 1)
LOL Network — TV — Laugh Out Loud
1/19 – 1/19
1/19 – 1/19
Post Producer – Special (Season 1)
Digital — TV — Campfire
1/19 – 1/19
5/18 – 5/18
Post Producer – Drunk History (Season 5)
Comedy Central — TV — Gary Sanchez Productions
5/18 – 5/18
3/18 – 3/18
Post Producer – Another Period (Season 3)
Comedy Central — TV — Konner Productions
3/18 – 3/18
3/18 – 3/18
Visual Effects Producer – T@gged (Season 3)
Go90 — TV — AwesomenessTV
3/18 – 3/18
3/18 – 3/18
Post Producer – T@gged (Season 3)
Go90 — TV — AwesomenessTV
3/18 – 3/18
Orgs
Recos
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Education
Scripps College
Media Studies and Psychology
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