Dylan Sachs

Level Up Assistant Editors provide an essential production contribution to the overall workflow of the company and the character of the team. Positive attitude and communication is critically important even when long hours present themselves. Weekend work will happen, and it will be important to be available when needed. We can discuss an on call calendar so weekend planning can take place for personal life. Vacation time will need to be coordinated so are not short staffed during employee vacation times. Assistant Editors will need to perform various finishing editorial duties when called upon. I/O – Alerts It is the responsibility of the AE team to Download and push 1. Master source materials will be transferred to Facilis for online access a. Features, Pix and sound b. Dailies and VFX shots 2. Preps a. Picture and Sound preps i. Will download to Corral, Upon download the correct teams, Producer, Edit, Sound will be alerted via slack and email. ii. GFX – will download to Corral and correct teams notified 3. Occasional tape capture 4. Any LTO I/O outside of the in-house archival duties Mastering – Editors will master and QC Production Masters for all projects. Once a project is approved and the Production Masters/Mezzanine files are created and QCd by Editor and Producer it will be the responsibility of the AE team to Master all additional materials QC- One of the most important functions of the production workflow, while all steps are essential, QC is our safeguard against any material leaving the facility incorrectly. 1. Always two sets of eyes and ears a. Files must always be split against the final approved approval file and or the final QCd Production master. b. Audio must be confirmed to have the correct track configuration and levels for type of deliverable. c. Formatting must be correct to spec, for client and type of deliverable. Delivery – Know who you are delivering to, what client, and what delivery mechanism is being used. 1. Stampede methods a. Aspera, Wiredrive 2. Client methods a. Box b. Frame io c. Aspera drop box 3. Know who should be alerted via transmit email, and or additional email for Clients and producers and team. Facilis- 1. Facilis Terra Block management and storage utilization reporting 2. Working with tech support to resolve issues when necessary (this goes for other tech support requests as needed) Archive/Backup- 1. Project and media backup and archival 2. Project and media restoration from archives when necessary Client delivery specs – to be accessible for AE’s. Lionsgate Amazon Roadside Apple/Network Open Road Films

Stampede Assistant Editors provide an essential production contribution to the overall workflow of the company and the character of the team. Positive attitude and communication is critically important even when long hours present themselves. Weekend work will happen, and it will be important to be available when needed. We can discuss an on call calendar so weekend planning can take place for personal life. Vacation time will need to be coordinated so are not short staffed during employee vacation times. Assistant Editors will need to perform various finishing editorial duties when called upon. I/O – Alerts It is the responsibility of the AE team to Download and push 1. Master source materials will be transferred to Facilis for online access a. Features, Pix and sound b. Dailies and VFX shots 2. Preps a. Picture and Sound preps i. Will download to Corral, Upon download the correct teams, Producer, Edit, Sound will be alerted via slack and email. ii. GFX – will download to Corral and correct teams notified 3. Occasional tape capture 4. Any LTO I/O outside of the in-house archival duties Mastering – Editors will master and QC Production Masters for all projects. Once a project is approved and the Production Masters/Mezzanine files are created and QCd by Editor and Producer it will be the responsibility of the AE team to Master all additional materials QC- One of the most important functions of the production workflow, while all steps are essential, QC is our safeguard against any material leaving the facility incorrectly. 1. Always two sets of eyes and ears a. Files must always be split against the final approved approval file and or the final QCd Production master. b. Audio must be confirmed to have the correct track configuration and levels for type of deliverable. c. Formatting must be correct to spec, for client and type of deliverable. Delivery – Know who you are delivering to, what client, and what delivery mechanism is being used. 1. Stampede methods a. Aspera, Wiredrive 2. Client methods a. Box b. Frame io c. Aspera drop box 3. Know who should be alerted via transmit email, and or additional email for Clients and producers and team. Facilis- 1. Facilis Terra Block management and storage utilization reporting 2. Working with tech support to resolve issues when necessary (this goes for other tech support requests as needed) Archive/Backup- 1. Project and media backup and archival 2. Project and media restoration from archives when necessary Client delivery specs – to be accessible for AE’s. Lionsgate Amazon Roadside Apple/Network Open Road Films

Responsible for ingesting, grouping, syncing, editing, sound mixing, color correction, outputting, and delivering EPK BTS packages for Netflix features. Also responsible for producing creative concepts and designing media workflows for multiple editing platforms.

Producer / Editor - CBM Picture Company - Santa Monica. CA - 2015 - 2019. Lead editor and producer for multiple projects including overseeing day-to-day operations and quality control.

Assistant Editor - Toybox Entertainment - Burbank CA 2014 - 2015 Responsible for pulling footage, digitizing, editing, prepping / quality control, and posting.

Assistant Editor - Open Road Entertainment - Burbank CA 2013 - 2014 Responsible for pulling footage, digitizing, editing, prepping / quality control, and posting.

Technician - Express Video Services - Glendale CA - 2012 - 2013 - Responsible for meeting and maintaining quality standards. In charge of overseeing daily functions and operations. Responsible for all editing projects, as well as production equipment, including QC, prep, and specialized repair and maintenance.

Editor / QC Specialist - Wintech Productions - Sherman Oaks, CA - 2011 to 2012 - Senior editor and consultant on all projects. Responsible for meeting and maintaining quality standards. In charge of overseeing daily functions and operations. Head of maintaing direct contact ties with clientele, including up-keeping Companies social media networking sites and mailing lists.