Responsible for secure backup, transcode, and edit of film. Look generalized in RedCine X with Director and finished in Resolve. Edit by proxy in FCP before 2k and 4k export of final film.
Summary
Zachary, an Editor, based in Los Angeles, has 4 Editor credits and 2 Director of Photography (DP) credits, and has been a member since 2013.
Credits
4/13 – 5/13
Editor (Redcine X, FCP 7, Resolve) – Irene Lee, Girl Detective
Film (Feature-length) — Perils LLC Details
4/13 – 5/13
4/13 – 4/13
Director of Photography (DP) (RED Epix-X) – Irene Lee, Girl Detective
Film (Feature-length) — Perils LLC Details
4/13 – 4/13
Created shot list with director, organized gear rental and pickup, 2 day shoot with child actors and multiple company moves. Additionally responsible for offloading data securely on location.
3/13 – 3/13
Director of Photography (DP) (7D) – House of Cards Junkie
Internet — Digital Details
3/13 – 3/13
Director of Photography for viral hit, House of Cards Junkie. Featured on Funny or Die and Variety.
2/13 – 3/13
Production Assistant (Cargo truck equipment pickup and drop-off, assisted with set construction) – Untitled Film HH
Film (Feature-length) — Bad Robot Productions Details
2/13 – 3/13
Responsible for loading G&E, props, and camera gear into cargo truck for runs across LA. Responsible for checking gear at pickup. Assisted on set as PA and 2nd AC.
9/12 – 12/12
Assistant Camera (AC) (TD300) – Daydream (Season 1)
Discovery — TV Details
9/12 – 12/12
3D Assistant Camera and DIT of Daydream, a 3D series for 3Net. Created multiple copies of footage on location, managed assets, conformed on-set notes to footage, checked footage for abnormalities in 3D. Maintained camera equipment and accessories.
9/12 – 12/12
DIT (Digital Imaging Technician) (DIT for 3D travel show with TD300) – Daydream (Season 1)
Discovery — TV — Jump! Creative Details
9/12 – 12/12
3D Assistant Camera and DIT of Daydream, a 3D series for 3Net. Created multiple copies of footage on location, managed assets, conformed on-set notes to footage, checked footage for abnormalities in 3D.
10/12 – 11/12
Editor (FCP 7) – The Perils Of Growing Up Flatchested
Film (Feature-length) Details
10/12 – 11/12
As Editor and DIT of The Perils of Growing Up Flat-Chested, I cut Mandarin language scenes with the Director, balancing the sound, meaning, and visual pacing of dramatic scenes. I cut the film down from 35 minutes to a lean 18, preserving and clarifying the story, drama, and characters.
1/11 – 6/12
Colorist – Echo Chamber (Season 2)
Internet — Digital
1/11 – 6/12
Recos
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