Warren Lam

I was the Lead Editor on an episode on a popular TV show for the Motor Trend Network. I had to watch 8 days of raw footage and edit a complex car build. I also added sound design and delivered this 37 min episode with a very tight deadline.

Lead editor on multiple episodes on the popular series, "Engine Masters" for Motor Trend's Streaming Subscription services.

I was an editor on multiple episodes, and the lead on the "Phillipinnes" episode.

I helped stepped in at the last minute to help address notes and polished the locked cut of the 2 hr special

I wrote, directed and edited this 20 minute narrative short, which premiered on Amazon's All Voices Film Festival. Customer reviews commented on the actor's performances, music and editing style of of the short.

I was teamed with the lead editor and together we edited this 2hr special.

Editing the 2nd season of a popular reality series on TLC.

One of 6 Editors on this new series. This was format driven, so instead of editors assigned to specific editors and characters, we were each given a segment. I was responsible for editing the graphic surgeries and post op recovery.

Part of the new content division at Disney Interactive. Creating and editing various short form content.

Editor on this docu-reality series for TLC.

I stepped in for an editor on vacation for 3 weeks. I edited a lot of doc-follow and process build scenes for EP 105.

Editor on the hit series for A&E.

Editor on Episode 108 and 110. Addressed network and lock notes episodes 105-112.

Edited first episode 201, of the 2nd Season. The show went in an entirely new direction so I had the opportunity to create a more natural, raw, less effects driven style for the series.

Worked with Emmy winning editor Josh Earl for this one hour special centered around Sig Hansen, Captain of the Northwestern.

The campaign is called, "Here's to Earning it." There were also a series of min-docs.

I produced this independently financed bio-pic documentary about one of the early entrepreneurs that many have no ever heard of. Jim Farley was a quiet, shy, man, and his trade secret helped him turn a small business into a multibillionaire dollar company.

I was an additional editor/post supervisor and helped address executive producer notes and replace archival footage.

I was an editor on Episode 102 and 105. Initially my episode was 103, but the network liked my episode and decided to move it up to 102.

I was an editor on this comedy pilot.

Worked with story producers and editors. Responsibilities ranged from crafting story beats from story producers, addressing notes and re-editing acts at the last minute for fine cut screenings for director of programming. Worked with Supervising Editor during pre-lock and helped edit additional additional scene and handled other network deliverable requirements.

I was an editor for one episode of a new series for Nat Geo. It was the first time the production company ventured into the dangerous job dock-style type programming.

I was the additional editor and de facto Post Supervisor and worked with award winning filmmaker Paul Freedman in telling this story of PTSD

I was an additional editor on this hit series.

Edited scenes for various episodes. Addressed network notes and helped shaped episodes for fine cut screenings.

Edited scenes for various episodes for Season 5.

Lead Editor Josh Earl was busy managing his duties on Deadliest Catch, so I stepped in worked with the story producers to help deliver a fine cut of this 2 hour special that followed the Hillstrand Brothers from Deadliest Catch.

I was the sole editor from beginning to delivery. This documentary was shot in 3D and was independently financed, and was used as educational material and distributed to various private schools.

I edited the sizzle reel which helped sell the show to the Food Network. This was the first show sold by Target Entertainment, which is now T-Group Productions.

I worked with Jenny Daly and developed the sizzle for this series. It was one of the first shows she ever sold.