Patrick Dunnagan

I was the first AC on this commercial shoot with the RED Scarlett. We swapped back and forth between PL and Canon mount and lenses. I was responsible for camera setup, pulling focus, and camera transport on this all around the hospital shoot. Also assisted Gaffer when needed.

Recorded Audio for the film. That included dialogue, ambient, and specific foley sounds for the post mix. Recording was done primarily on a Rode shotgun with boom, and specific sounds on a pair of Senheiser radios with countryman mics. Recorded into a Zoom H4N.

I was responsible for setting up the camera and teleprompter setup. I set focus and ran the teleprompter. Shot on RED One MX with RED Zoom (18-50) and Arri Ultra Primes

Worked with the Gaffer and DP to get the look the client was going for. Shot the stuff in auditorium. Used Kinos, Arri Fresnel and Joker Bug to accomplish the look.

I was under the DP and Gaffer lighting for all the shots. We used Kinos, Arri Freznels and a Joker Bug. Also responsible for rigging certain gags and odd things as needed. Shot with the RED One.

A demo piece shot on RED. No dialogue, lots of ambient sound, footsteps, and other add on foley work. Used a Audio Technica Shotgun, and Sennheiser radio mics. Everything was recorded into the Sound Devices 788T with CL-2 mixing interface. Also responsible for timecode sync with Denecke SB-T.

This was a parody for collegehumor.com of the Homeland show. I was 1st AC on this short.

Worked one day under the DP and Gaffer lighting a few different scenes for this feature film from Andrew Jones. Most of what we had were 4 foot 4 bank Kinos. An amazing experience working with DP Warren Yeager. Best DP I have ever worked with.

This was a short film I Produced and Directed. It was shot on the RED Epic with RED Pro Primes and Angeniux Zoom. It is premiering June 4th 2013 in Hollywood.

This was a short film with several really nice locations and challenging lighting setups. We shot some nice HFR footage as well. We used the Panther Dolly. I was also the camera op on this piece. Shot with the RED Epic using RED Pro Primes and Angeniux zoom.

Recorded production sound for this Short Film shot on Epic. Responsible for Time Code Sync with Denecke SB-T box during the day with Sound Devices 788T with CL-2 mixing console. Used Audio Technica Shotgun as primary source with Sennheiser Radio Mics for auxiliary sound and primary talent.

This was a short film from a true story. Small crew, I started off as 1st AC, but ended up primarily as Camera Op. Shot with RED Epic with RED Pro- Primes and an Angeniux Zoom. We also used the Panther Dolly, the Classic.

We shot a few spots for the cancer department and the Ortho department. I was the grip for these shoot days. Shot on RED One.

I set up the Lights and created the mood based on the look the DP was going for. We ended up Rigging three Kino's for the table. After lighting was set, I was boom operator for part of the shoot and Dolly grip for one of the long dolly moves.

I shot 7 of these interviews for Zoweh Ministries. Shot Doc style. Myself and the head of the ministry did the interviews. Directed it as well.

Multiple spots shot over the course of a year. Around 7. Pleasure of working with Ira David Wood III, father of Evan Rachel Wood. Also, multiple web only videos for the urology and bariatric departments.

Celebrating 10 years of Enmotion Paper Towel Despensers, the web commercial series the Andy and Knuckles Show. Lit using Arri Lights and Kino Flo. Green Screen.

I took the final edited spots and graded them for air on local TV stations. Used FCP for RED One Footage Transcode and used Apple Color for Grade.

A spot that went on the Golf Channel to support the 9-12 project. Shot on RED One with Arri Zeiss Ultra Primes and Super Speeds.

We shot several spots for the campaign, all talking head personal stories. Shot on RED One.

This was Wrangler's dive into Reality TV. I was the camera op for the interview portion of the videos. We used the HVX with a Red Rock Micro to Canon Lens adaptor. I also did the final edit of all six videos.

I edited a short and a long version of the Spots for the DaVinci Robotic Surgery. I did the composite for the screen in the one shot as well as the final color grade for TV.

I was the gaffer on this shoot for Carolina East Hospital's promotion of their Da Vinci Robotic Surgery.

I was the first AC on this RED One Shoot. Pulled focus, camera Setup and move.

A PSA about a camp sponsored by the NC Bankers association. Kids do normal fun camp stuff, but they also have 'classes' on budgets, balancing checkbooks, and financial responsibility. Shot mostly Doc style. Co-Directed with Bill Kamp Shot with Sony V1U.