Summary

I am a creative producer and content strategist with deep experiences in all areas of production management, pre to post. Having worked across digital, film and television, I am a resourceful, detail-oriented collaborator looking to elevate your team.

Credits

6/17 – 7/17

Assistant Director The Last Two Lovers at the End of the World

Film (Short) — Freedom Road Details
6/17 – 7/17

• Short Film commissioned by ATT Hello Lab and mentored by Executive Producer and Oscar-winner Common, Executive Producer Shelby Stone, and Producer Roberta Marie Munroe • Tracked daily progress of production schedule by preparing daily call sheets, arranging logistics, and organizing cast and crew • Assisted 1st AD with set management by locking down set, leading production assistants, and troubleshooting any issues arising

6/17 – 6/17

Production Coordinator Minimum Wage (Season 1)

UMC — Digital — Issa Rae Productions; Adaptive Studios Details
6/17 – 6/17

•Prepared and processed all cast/crew start paperwork, SAG forms, release forms, time cards, daily production reports. •Assisted with location management and set management acting as liaison between heads of departments and production crew •Distributed and reconciled petty cash, production accounts, and credit cards

4/17 – 4/17

Office Production Assistant Breaking2

Facebook Live — Digital — Dirty Robber Details
4/17 – 4/17

•Assisted production coordinator and line producer with prep for international shoot across 5 countries in 4 weeks •Prepared and assembled production books for each crew member which included: coordinating travel arrangements, release forms, deal memos, time cards, production calendar, individual and group itineraries, travel documents, travel medicine, insurance, equipment lists, etc. •Assisted with runs for hard drives, camera equipment and crew pick ups and LAX drop off with cargo/passenger vans

2/17 – 3/17

Unit Production Manager Violets

Film (Short) — USC School of Cinematic Arts Details
2/17 – 3/17

•Assisted producing team with pre-production including script scheduling/breakdown, location scouting, negotiating production equipment rentals from vendors, hiring crew, securing food, transportation, insurance, and contracts. •Consulted with heads of department to ensure all materials needed were obtained within $45,000+ budget •Arranged equipment pick ups and drop offs. Personally picked up Panavision Arri Alexa Core Package with cargo van. •During shoot days processed all paper work including exhibit G’s, DPRs, volunteer/actors releases, studio teacher/minor forms; handle crafty/lunch; distribute walkies; and delegate tasks for office and set PAs for s smoothly run set. •Filmed for 8 days, including 1 overnight shoot

8/15 – 8/15

Producer Undecied Series (Pilot)

YouTube — Digital Details
8/15 – 8/15

Served as creative and line producer. Developed script with writer and acted as line producer hiring and managing all cast and crew while on remaining on budget and schedule.

2/15 – 2/15

Production Coordinator (Lead) The Choir (Season 2)

YouTube — Digital — Issa Rae Productions Details
2/15 – 2/15

Handled physical production duties such as locking down set, managing craft services, and assisting executive producer Assisted with administrative duties such as processing guild/union paper work, handling petty cash, and going on runs.

1/15 – 1/15

Production Coordinator TACTLESS (Pilot)

YouTube — Digital — All Def Digital Details
1/15 – 1/15

Duties included assisting with casting, processing SAG paperwork, script breakdown and scheduling, props and wardrobe breakdown/purchase, handling correspondence between above and below the line crew and cast

Orgs

  • JHRTS
  • Women In Film (WIF)
  • Colour Assistants
  • NYTVF
  • Women of Color Unite (WOCU)

Recos

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Education

Class of '12

The University of Georgia

Marketing
Class of '12

The University of Georgia

Advertising

Skills

  • Call Sheet
  • Locking Down Set
  • Operating vehicle or van
  • Production Office Administrative Tasks
  • Walkie Talkie use
  • Working with Department heads