Collie B. Witt

Pitched and booked guest, prepared shoot notes, wrote scripts as well as host intro into each segment. I also guided the show through the entire Post Production process.

I produced 2 episodes in a row. I researched case, shoot interviews with people involved in case. I also wrote the script and Post Produced throughout the entire edit process, up to delivery.

I was producer for this pilot for A&E, as well as field producer for the entire shoot. I wrote the script for this pilot and was post producer throughout the entire edit process.I also interviewed people related to the case, very heavy in recreations as well as interviews.

Primary liaison for post production department between production and network to ensure quality control (QC). Recognized as the department’s “go-to person” for all post questions and scheduling. Manage monthly and daily schedules for editors, audio mixers, graphic artists, assistants. Day to day preparation of production schedules. Was crazy / fun.

Main duty was to watch hundreds of hours footage of Ms. O'Donnell adjusting to life in Chicago, IL. Looking for story arcs and making string outs for Story Producers.

Partnered with Documentary Producers to coordinate all aspects of long-format programs including pre-production, production and postproduction phases. Responsibilities include the management and supervision of entire project(s) from concept to completion in a decisive, respectful and collaborative manner to ensure timely, extraordinary results within varying budgetary constraints.

Worked on set to represent the editor’s and writer’s. Responsibilities include the management and supervision of script(s), monitoring the scripts during shoot to make sure that errors in continuity do not occur that would prevent the documentary from being able to be complied in the editing room.

Facilitate and attend six stages of screenings from Picture Lock to Lay Back, critiquing and documenting revision notes (from department heads) and distributing to video, audio, graphics, and legal departments for implementation to meet internal and network requirements/standards

Meth Nation was 3 hour special, including Cocaine, and Heroin Nation. I served as Post Producer for all 3 hours. This included guiding show throw entire edit process, handling all deliverables, and make sure all were ready for QC check.

I producer 3 episodes of Gangland season 4 for the History Channel. I researched and interviewed / filmed members of prison, bikers, and white aryan gangs. I wrote scripts, as well as Post Produced throughout edit.

I was story producer for 3 episodes of the Discovery series Hard Time. I watched all footage coming in from the field, found story arcs, and good characters to use for each episode, as well as writer of all 3 scripts and Post Producer throughout the edit process.

I spent 4 weeks in Alaska's only Max Security Prison. I interviewed over a 100 inmates while directing 2 film crews. I also wrote the script and was the Post Producer throughout the edit process. Discovery liked the pilot and picked up 6 more hours of it.

I produced 4 episodes of Biography, one after the other. I shot and conducted all interviews as well as broll needed for each episode. I wrote scripts and was Post Coordinator for every episode throughout the entire edit process.

I was an AP for 3 episodes of Biography. It was awhile ago, but I did all the duties required of an AP. My Producers loved me, for real, I'll give you their names, feel free to give them a call.

Inside 9/11 was a special for NATGEO. I served as Post Coordinator, as well as AP. The deliverables process was a nightmare, but it was my first time. I've grown to love.