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Lorraine Carita

Brooklyn, NY

http://staffmeup.com/profile/id/50980

Summary

Message

The best part of this work is no two days are the same! I’m a people person and can work with anyone. I love getting to film people with amazing stories. Whether I’m producing or holding the camera, I always give my all and keep a positive attitude.

Credits

10/23 – 1/24

Field Producer (Also a camera op. ) – Flipping Impossible: Opportunity Knoxville (Pilot)

HGTV — TV — Jupiter Entertainment Details

10/23 – 1/24

Field producer and then also covered scene work and following story as a one man band between full crew shoots.

1/19 – 11/23

Field Producer – Unexpected (Season 3)

TLC — TV — 2 Point 0 Productions Details

1/19 – 11/23

Worked on seasons 3/4/5/6.

1/19 – 9/23

Director of Photography (DP) – Unexpected (Season 3)

TLC — TV — 2 Point 0 Productions Details

1/19 – 9/23

Worked on seasons 3/4/5/6.

8/23 – 8/23

Producer – We're Here (Season 4)

HBO — TV — IPC

8/23 – 8/23

4/23 – 8/23

Field Producer – Slammers (working title) (Season 1)

Discovery+ — TV — Jupiter Entertainment

4/23 – 8/23

10/22 – 7/23

Camera Operator (C70) – Building Roots (Season 2)

HGTV — TV — So Much Film Details

10/22 – 7/23

I worked on Season 2, the Nashville episode.

8/15 – 8/22

Camera Operator – Teen Mom

MTV — TV — MTV Networks (Viacom)

8/15 – 8/22

5/22 – 7/22

Production Manager – First Time Buyer (Season 2)

Hulu — TV — Lily Pad Productions

5/22 – 7/22

3/20 – 3/22

Producer/Shooter (Videographer, photographer, producer, camera op. ) – NA

Corporate — Sure Pictures Details

3/20 – 3/22

At the beginning of the pandemic I began to document the changes occurring at Maimonides Medical Center in Brooklyn, NY. My footage was used for both local and National news outlets. We also filmed videos for individual departments of the hospital which included interviews, b-roll and in action footage.

8/20 – 1/22

Field Producer – Teen Mom OG

MTV — TV — New Remote Productions

8/20 – 1/22

9/18 – 11/18

Camera Operator – Untitled (Season 1)

A&E — TV — Matador Content

9/18 – 11/18

7/18 – 7/18

Camera Operator – Knight Fight (Season 1)

History — TV — Matador Content

7/18 – 7/18

6/18 – 6/18

Producer/Shooter – Scaled (Season 1)

Animal Planet — TV — Matador Content

6/18 – 6/18

9/17 – 1/18

Producer/Shooter – Bridezillas: Scared Fit (Season 1)

WE tv — TV — Matador Content

9/17 – 1/18

1/17 – 6/17

Camera Operator (Canon C300) – National Geographic Explorer

National Geographic — TV — National Geographic Studios

1/17 – 6/17

1/16 – 2/16

Assistant Camera (AC) (Sony F55) – Story of Vice (Season 1)

National Geographic — TV — National Geographic Studios Details

1/16 – 2/16

Assisting the DP and camera op with interview setups. Maintaining equipment and loading media in the field.

9/15 – 10/15

Producer/Shooter – Big Fix Alaska (Season 1)

National Geographic — TV — Matador Content Details

9/15 – 10/15

One person band, OTF style interviews to document the progress of an engineer on a job in Alaska. Shoot on Canon c300, ran audio, and used gopros to capture content.

3/15 – 7/15

Assistant Camera (AC) (c300, 5D, GoPro) – Alaskan Proof (Season 1)

Animal Planet — TV — Matador Content Details

3/15 – 7/15

Shoot 5D as an extra camera when needed, place and operate gopros, assist camera ops, prep all the gear, media manage, operate a phantom 2 drone and rig lights.

6/14 – 2/15

Assistant Camera (AC) (C300, Canon 5D, gopro, phantom drone) – Born in the Wild (Season 1)

Lifetime — TV — Matador Content Details

6/14 – 2/15

Assist cameras , media manage, operate phantom 2 drone with gopro, and manage all gear throughout the shoot

10/14 – 10/14

Director of Photography (DP) – OUTRAGEOUS HALLOWEEN

Food Network — TV — Sharp Entertainment

10/14 – 10/14

8/14 – 10/14

Camera Operator (Sony EX3, canon 5D) – 90 Day Fiancé (Season 2)

TLC — TV — Sharp Entertainment Details

8/14 – 10/14

DP for sit down interviews and pickups. Shot 2 camera interviews and cross shoot scenes.

4/14 – 6/14

Assistant Camera (AC) (F800, C300, 5D, Go Pros) – Epic Ink (Season 1)

A&E — TV — Matador Content Details

4/14 – 6/14

Handle and set up gear including cameras lighting, porta jib, and slider. Assist DP and camera ops when needed.

3/14 – 4/14

Camera Utility – Married At First Sight (Season 1)

Bravo — TV — Kinetic Content Details

3/14 – 4/14

Responsibly for prepping gear, handling media and assisting with any lighting.

3/14 – 3/14

Associate Producer (Camera Operator) – flip queens (Pilot)

HGTV — TV — Leopard USA Details

3/14 – 3/14

Assisted the Producer with story while shooting.

2/14 – 2/14

Camera Operator (F800) – Frankenfood (Season 1)

Spike TV — TV — Sharp Entertainment

2/14 – 2/14

8/13 – 1/14

Camera Operator (HPX170 and Sony 5D) – 90 Day Fiancé (Season 1)

TLC — TV — Sharp Entertainment Details

8/13 – 1/14

Two shooter show, cross shooting while following story. Sometimes producing my own OTFs with talent. Also assisted with 2 camera, interview set ups.

11/13 – 11/13

Assistant Camera (AC) (HDX900) – Concrete Kings: Billy Knows Best (Season 1)

A&E — TV — Matador Content

11/13 – 11/13

Camera Operator (Canon Digi Super 25 xs) – Dance Moms Christmas Special

Lifetime — Live/Special Event — Fly Girls LLC

11/13 – 11/13

3/13 – 5/13

Producer/Shooter – Mtv's Made (Season 13)

MTV — TV — MTV Networks (Viacom) Details

3/13 – 5/13

Run and gun style shooting on the EX1. Producer - responsible for following story, interviews, shoot notes and story calls with the supervising producer. Shooter - responsible for all shooting (sometimes for events there will be an extra shooter), managing media, b-roll and interviews.

1/13 – 2/13

Camera Operator (Sony 800 XDCam) – Pythonathon (Season 1)

National Geographic — TV — Matador Content Details

1/13 – 2/13

Spent a month following hunters in the Everglades. Ran my own audio for hunts. Also shot with GoPros and Sony 5D for B-roll.

12/12 – 12/12

Camera Operator (Sony EX3) – Dukes of Hinton

TV — Leftfield Entertainment Details

12/12 – 12/12

Ran our own audio for a 3 day sizzle shoot.

6/12 – 12/12

Camera Operator (HPX170 and Sony 5D) – Oddities (Season 4)

Science Channel — TV — Leftfield Entertainment

6/12 – 12/12

6/12 – 6/12

Production Coordinator (Field Coordinator) – Bid & Destroy (Season 1)

National Geographic — TV — Leftfield Entertainment

6/12 – 6/12

5/12 – 5/12

Camera Operator (Sony EX3) – Very Bad Boys (Pilot)

MTV — TV Details

5/12 – 5/12

Shooter/AC/media manager In between scenes and locations I would load media and clear cards.

2/12 – 5/12

Assistant Camera (AC) (Field Coordinator ) – Monster In-Laws (Season 2)

A&E — TV — Leftfield Entertainment Details

2/12 – 5/12

Along with coordinating in the field, I assisted the DP B-Cam and Sound. Handled and responsible for all gear. Helped with interview setup and lighting. On a few occasions I would shoot B-Roll or a scene.

1/12 – 2/12

Production Coordinator – Chasing Tail (Pilot)

History — TV — Leftfield Entertainment Details

1/12 – 2/12

Responsible for all gear, media managing, runs and shoot notes.

11/11 – 2/12

Production Coordinator – Monster In-Laws (Season 2)

A&E — TV — Leftfield Entertainment

11/11 – 2/12

9/11 – 11/11

Camera Operator (Sony EX3) – King Of Dirt (Season 4)

TV — Original Media Details

9/11 – 11/11

Also ran audio.

2/11 – 5/11

Production Coordinator (Field Coordinator ) – Monster In-Laws (Season 1)

A&E — TV — Leftfield Entertainment Details

2/11 – 5/11

Along with coordinating in the field, I assisted the DP B-Cam and Sound. Handled and responsible for all gear. Worked with Final Cut Pro to load and organize all media.

7/10 – 10/10

Production Assistant (Sony EX3) – King Of Dirt (Season 3)

TV — Original Media Details

7/10 – 10/10

Assisted in anything which needed to be done. By the end of the season I was the B-Camera Op.

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Recos

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