Erica Robert Pallo

Event Videographer Stills Photographer and documentation of artists' work.

I was the Camera Operator and Gaffer on the commercial web production.

I was the Art & Props Stylist Assistant.

I was the Art & Props Stylist Assistant.

I was the Production Designer and Set Dresser of the short narrative film.

I was the Art & Props Stylist Assistant.

I was the Art & Props Stylist Assistant.

Event photographer and documentation of artist's work.

Event photographer and documentation of artists' work.

Event photographer and documentation of artists' work.

Event photographer and documentation of artists' work.

I was Art Department Assistant for a series of 3 commercials.

I was the Art & Props Stylist Assistant.

I was the Art Director for the short narrative film.

I was Gaffer on a short narrative film.

I was Gaffer on a short narrative film.

I was Gaffer on a short narrative film.

I was Gaffer on a short narrative film.

Event Videographer Stills Photographer and documentation of artists' work.

I was Gaffer on a short narrative film.

I was the Director of Photography on a short narrative film.

I was a Field Producer and Sound Recordist for the feature documentary.

Camera operator for narrative film.

Documentary short film

I was Production Designer of the short narrative film.

I was Gaffer on a short narrative film.

I was the Gaffer for one day of studio shooting for the feature documentary.

I worked on varying days as Digital Imaging Technician (DIT), Second Camera Assistant, and Stuntperson on the feature narrative film.

I was Director of Photography for an interactive-media performance. I created the videos that were projected onto the stage and that the actors interacted with.

I was 1st AC and Stunt Coordinator on 3 episodes of the web series.

I was the 1st AC for a short narrative film.

I was Gaffer on a short narrative film.

1st AC on a feature narrative film.

Camera operator for documentary.

Camera operator for narrative film.

This was Jo Allen's directorial debut as a project at the University of Southern California. She is known for her credits as a Makeup Artist and Hair Designer on such films as The Sea Inside (for which she won an Academy Award), The Hours and Gladiator.

I worked on the Panavision Sony F3 camera on this feature film in Los Angeles.

I worked with the Red Epic camera in Los Angeles.

I was in charge of dumping footage from the camera's video cards onto external hard drives and I monitored for damage to cards. I also applied a LUT to footage and synched external sound using DaVinci Resolve.

I assisted the 1st AC and the DP on this TV pilot that was filmed on location in two states. I slated takes, changed camera lens, carried the camera, and pulled focus when the 1st AC was unavailable. We worked with the Arri Alexa, Cooke prime and zoom lenses.

As Recordist on this student film, I recorded using a Sound Designs 744T, 2 Sennheiser ew 110 G3 wireless lavs, a Sennheiser ME kit, a Sound Devices 302 3 channel mixer, & boom pole.

As DP, my responsibilities included planning shot lists with the Director, executing shots, and directing the 1st AC with camera duties and the Gaffer with lighting choices. I shot using an Arriflex SR Super 16mm and an Arri/Zeiss prime lens set.

As 1st AC, I was in charge of storage of the 16mm film, loading and unloading of the film into the camera magazines, cleaning and maintenance of the camera, general care and protection of the camera, and I assisted the DP with his duties.

As Casting Director, I created casting calls that were posted in various locations, held auditions and made casting selections.

As Location Scout and Manager, I sought out locations for the film, corresponded with administrators of properties, coordinated with facilities personnel, secured parking permits, kept records of extra cast members, and ensured properties were returned to same condition when we left.

As Director, I carried out the following duties: -Final casting decisions -Selection of film stocks and lens types -Shot lists, overheads, storyboards -Organization and direction of cast and crew in pre-production -On-set direction of cast and crew

As part of an exercise for my MFA Directing class, I picked a scene from an established movie and created an adaption that was filmed using a Sony F3 video camera. As Editor, I compiled a footage into a five-minute "film".

As part of an exercise for my MFA Directing class, I picked a scene from an established movie and created an adaption that was filmed using a Sony F3 video camera. As Casting Director, I created casting calls that were posted in various locations, held auditions and made casting selections.

As part of an exercise for my MFA Directing class, I picked a scene from an established movie and created an adaption that was filmed using a Sony F3 video camera. As Director, I created shot lists, overheads and storyboards, made final casting selections, and directed both cast and crew.

As part of an exercise for my MFA Directing class, the Director picked a scene from an established movie and created an adaption. As DP, I suggested how the visuals should look in order to create his version of the film. I also was in charge of lighting decisions.

As part of an exercise for my MFA Directing class, the Director picked a scene from an established movie and created an adaption. As Recordist, I used a Sound Designs 744T, 2 Sennheiser ew 110 G3 wireless lavs, a Sennheiser ME kit, a Sound Devices 302 3 channel mixer, & boom pole.

As part of an exercise for my MFA Directing class, the Director picked a scene from an established movie & created an adaption. As 1st AD, I organized & directed the shot list, made the shooting schedule, kept the cast & crew on time, slated takes, acted as Script Supervisor, & assisted the Director.

As Wardobe Stylist, I was in charge of final fittings, changes to wardrobe, and making sure that the actors were in wardrobe and ready for their scenes on time.

As Makeup Artist and Hairstylist I was responsible for working on the four principal actors on set.

As a photographer on set, I took digital photos of cast (in and out of character) and crew throughout a 6-day shoot. I also uploaded photos to the film's Facebook page and promoted the film on social media.

As Script Supervisor, I reviewed the script layout with the Director and Screenwriter and ensured that the cast and crew adhered to the script's plot and screen directions.

Documentary about the significance of barbecue to Texan culture, featuring Franklin Barbecue in Austin, Texas.

Documentary about the significance of barbecue to Texan culture, featuring Franklin Barbecue in Austin, Texas.

Documentary about the significance of barbecue to Texan culture, featuring Franklin Barbecue in Austin, Texas.

Documentary about the significance of barbecue to Texan culture, featuring Franklin Barbecue in Austin, Texas.

Documentary about the significance of barbecue to Texan culture, featuring Franklin Barbecue in Austin, Texas.

As Grip, I assisted the Key Grip and Gaffer.

This was a year-long project that I planned and carried out as the final project for my BA Honors Thesis in Anthropology. I also used a stabilizer and macro/wide-angle lens attachment called a Bubo OWLE that fit on the iPhone 4.

This was a year-long project that I planned and carried out as the final project for my BA Honors Thesis in Anthropology. I used a ZOOM H-1 recorder & microphone.

This was a year-long project that I planned and carried out as the final project for my Honors Thesis BA in Anthropology. I interviewed Brazilian subjects living in multiple cities around the United States to ask how they keep a connection to their cultural heritage through Brazilian food.

This was a year-long project that I planned and carried out as the final project for my Honors Thesis BA in Anthropology. I also used a stabilizer and macro/wide-angle lens attachment called a Bubo OWLE that fit on the iPhone 4.

This was a year-long project that I planned and carried out as the final project for my Honors Thesis BA in Anthropology. I interviewed Brazilian subjects living in multiple cities around the United States to ask how they keep a connection to their cultural heritage through Brazilian food.

This was a documentary project that I planned and carried out as the final project for my BA Thesis in Interdisciplinary Studies. I interviewed a small "pop-up" restaurant in San Francisco and discussed the importance and implications of social media to their business. I used a ZOOM H-1 recorder & microphone.

This was a documentary project that I planned and carried out as the final project for my BA Thesis in Interdisciplinary Studies. I interviewed a small "pop-up" restaurant in San Francisco and discussed the importance and implications of social media to their business.

This was a documentary project that I planned and carried out as the final project for my BA Thesis in Interdisciplinary Studies. I also used a stabilizer and macro/wide-angle lens attachment called a Bubo OWLE that fit on the iPhone 4.

This was a documentary project that I planned and carried out as the final project for my BA Thesis in Interdisciplinary Studies. I interviewed a small "pop-up" restaurant in San Francisco and discussed the importance and implications of social media to their business.

This was a documentary project that I planned and carried out as the final project for my BA Thesis in Interdisciplinary Studies. I also used a stabilizer and macro/wide-angle lens attachment called a Bubo OWLE that fit on the iPhone 4.

I was the sole production still photographer on set.

As Makeup Artist and Hairstylist, I was responsible creating the look for the main actress and getting her ready before and during each shoot.