Jonah Sargent

Coordinated the post process for documentaries, docu-series, and development projects including Netflix's CHEF'S TABLE and LAST CHANCE U Created a formula and process for converting translations and transcriptions into subcap and scriptsync ready text files Designed and maintained an asset tracking system for multiple Netflix shows and development projects using Asset Tiger

• Attracted investors for a feature length documentary about the North Dakota oil boom, raising over $250,000 and winning multiple awards and honors • Published an Op Doc and Op Ed on the front page of The New York Times, garnering millions of views • Oversaw all fiscal and logistical responsibilities for the film and production company (which simultaneously produced several commercials and short films) • Negotiated with clients ranging from large advertising firms to housing developers, hired and casted nonunion cast, subjects, and crew, projected budgets, tracked expenses, and coordinated travel for our crew

• Facilitated the accounting process for the $100+ Million Will Smith feature film • Discreetly handled highly sensitive information without error

Wrote and produced a comedic kickstarter video. 22 cast & crew. ULB. Currently working with a team to launch a viral crowdfunding campaign, coming early September 2016.

Owner of a boutique production company specializing in the media support of wind, solar and renewable energy projects throughout the Midwest and West Coast. I've shot, edited and produced live events, groundbreaking ceremonies and blade signings for international power companies across the country.

Petty cash sign outs, checking time cards, craft services, talent assistance, executive assistant duties, etc.

As the Digital Imaging Technician (DIT) for a 2-camera feature length narrative film I'm in charge of safely ingesting footage from RED Epic Dragons, audio, and BTS stills from the Sony A7S. I apply looks to the REDs, aid in blackshading and camera calibration, and force update firmware using the RED's SSDs. I also cull screenshots and dailies for the DP, Director and Producer for viewing after every day of shooting. My background running the roving field production office for Nodak has come in handy; I'm the person turned to for all tech issues on set (from printers and wifi to camera errors and lav mic questions).

Camera set up and tear down, lighting, media management for a one day pick up shoot with lead talent for the pilot of a new bartending show.

Managed data on set in Mississippi for a three day pick up shoot using the Sony FS7 and the Sony F55, as well as assisted the 1st AC and DP with traditionally 2nd AC duties.

Managed media intake from RED EPIC camera and multiple audio sources on Shotput Pro onto RAID drives, and ensured quality control of footage during ingest. Coordinated post workflow with department heads.

Originally hired as a Talent Production Assistant to Kevin Spacey but was bumped to BTS Photographer because of my Faces of Yoga photo book. Shot on a Leica with a 50mm lens for the full day.

Assisted 1st AC, DP and director in the production of Nick Sports Super Bowl coverage

Set up Red and Flex cameras, aided in the transfer of full magazines, leveled tripods, set up shots for the DP, and assisted with loading

Successfully funded a Kickstarter campaign for the Faces of Yoga photobook - the first product in a new brand of entertainment. The campaign went viral internationally, with print publications in Indonesia, London, Moscow, and Copenhagen. The book is now for sale on Amazon.com. Currently in talks with national distributors.

Wrote, directed, produced and hosted five performances at Intermedia Arts for the 2015 MN Fringe Festival. In addition to casting 10 subjects to join on stage, I wrote, shot, directed and edited eight short films about 'competing' lifestyles in Minneapolis such as Butcher vs. Vegan, Dungeon Master vs. LARPer, Small Dog Owner vs. Large Dog Owner, etc. The multimedia comedy show did well, garnering press from as far away as Chicago.

Coordinator for live stream of event, including the creation of several short docs, several parody commercials, and a live band. Plus, I casted the 10 contestants for 5 episodes.

Duties included a wide range of responsibilities with no oversight: Production audio on set, field producer roles for releases, logistics, line producer roles like budgeting, subcontractor hiring, negotiations with vendors, director duties like co-directing storyline and camera operators.

• Founded documentary company with successful Kickstarter campaign funds • Secured a rockstar board of advisors, legal advisors and entertainment lawyers • Developed character reel for original unscripted documentary series • Managed, scheduled and accounted for company and employees • Hired exceptional crew members

Responsible for setting up three to five cameras, lighting gear, and a full sound kit for the show every morning. I managed media, assisted the DP, grip, and talent when necessary.

• Logged and transcribed footage from over a dozen shoots • Assisted producers, set up camera and lighting equipment, and navigated cargo van in the wake of Hurricane Sandy • Scouted locations for best view of aftermath and built dolly track for panorama shots

• Acted as an assistant for field and studio producers on various projects and shoots • Assisted accounting department with employee expense reports • Worked as PA for Funny Or Die’s ‘Between Two Ferns’ segment with Jon Stewart • Aided the control room with script running and production assignments • Transcribed and delivered transcripts

Time management for talent, crew, interns, and director.

• Researched, coordinated and interviewed potential talent • Edited interviews into pitch tapes for Discovery Channel • Managed releases, designed casting notices and wrote copy

I founded 1UP as a registered student organization at UW Madison devoted to streamlining the funding process for original student stage and screen art works. Artists pitched me their projects, I crunched the numbers, then raised the funds through the student government. I wrote grant requests, sponsorship proposals, newspaper advertisements and created the student website. I successfully fundraised thousands of dollars for training, equipment and staffing for dozens of showcase events around Madison consisting solely of original student work. The organization attracted a membership of over 90 undergraduate students, making it the largest student production organization in the University's history.