Ian Rose

Post Production Supervisor on archival-heavy True-Crime Docu-series

Post Production Supervisor on all-archival documentary about 60 minutes journalist Mike Wallace

Plan, coordinating, and field producing multi-day shoots for short music documentaries on musicians such as Gogol Bordello, Hall & Oates and Andrew WK; remote production in Ghana with Sleigh Bells • Creating budgets and tracking costs for entire life of a project • Researching and acquiring archival footage and negotiating archival music usage • Production Manager for Live event documentary sponsored by Hard Rock Cafe

Leading development on multiple documentary projects • Researching each topic in-depth to create fact sheets and possible outreach objectives • Cold calling possible subjects, tracking down story leads, and developing grant proposals

Compile comprehensive research reports and oversee fact-checking of The Hunting Ground • Discovering potential subjects, tracking down story leads, and infiltrating activist organizations • Coordinate, negotiate, and direct remote production teams at over two dozen college campuses • Cinematographer’s assistant for over 100 interviews; Main shooter or b-cam on many verite scenes • Organize Q&As of THG with local communities and coordinate grasstops screenings for outreach

• Organizing production materials, clearances, and credits for three separate films • Assisting in breaking down scripts, scheduling, and basic budgeting with Movie Magic

• Coordinating with 30 arts non-profits and shooting 3-minute profiles for Restoring Ideals project • Researching organizations and creating strategic plan to schedule shoots throughout a full semester

• Producing various news pieces and documentaries with a 10-person staff • Coordinating production among my team and overseeing weekly deadlines • Integrating content with stories in other sections, as well as delivering promos to TUTV and print • Placed one documentary onto public television (MiND TV) and another into FirstGlance Film Festival