i was the 1ac a cam until the b cam op was unavailable, i then oped b cam for 2 weeks till the production ended.
Summary
To make a living and succeed in camera dept, with the ultimate goal of lensing quirky and fun films.
Credits
1/17 – 4/17
Second Assistant Director – Hickok
Film (Feature-length) — Status Media & Entertainment
1/17 – 4/17
3/16 – 6/16
DIT – The Wrong Neighbor
Lifetime — Live/Special Event
3/16 – 6/16
4/14 – 5/14
First Assistant Camera – Nigel and Osccar vs. sasquatch
Film (Feature-length) — 29 Frame Productions
4/14 – 5/14
6/13 – 7/13
Camera Operator (1 ac) – Category Five
Film (Feature-length) Details
6/13 – 7/13
2/07 – 2/13
Assistant Camera (AC) (betacams sony newscams) – Oscars Red Carpet
Fox — Live/Special Event — Fox New Media Details
2/07 – 2/13
I work as a camera assistant to the oscars every year, assist in lighting set up break down of camera positions, and assisting in striking base camp.
7/11 – 8/11
Director of Photography (DP) (Panasonic Hvx 500) – An Evening With Kevin Smith Burn In Hell
Live/Special Event — Chop Shop Details
7/11 – 8/11
i was responsible for the look and tone of the comedy special . I was responsible for the technical aspects as well. I assisted the directors in color timing the project as well.
9/10 – 9/10
Director of Photography (DP) (Sony F900 R.) – Kevin Smith Too Fat For
Film (Feature-length) — Chop Shop Details
9/10 – 9/10
choosing the look and colors to be used in the production of the concert and the video that was to be produced. To choose the cameras and to assist the directors in the color timing of the finished concert.
12/08 – 3/09
Second Assistant Camera – Elsewhere
Film (Feature-length)
12/08 – 3/09
Recos
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Education
Class of '02
Los Angeles Film School
Cinematography certificate
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