Crystal Kelley

I filmed the International Jiu Jitsu competition.

My responsibilities were to build the camera and slider setup for the event. I operated the camera and pulled focus for each featured speaker. After the speech, I disassembled the cameras and wrapped all the equipment to be shipped back to the company's headquarters.

I helped build the camera on for the Steadicam operator and pulled focus the shots.

I was the camera operator for filming a live birth.

My duties included pulling focus and tracking the subject on static shots or dolly. In addition, my duties consisted of prepping the cameras prior to the shoot, testing the lenses to ensure the distance marks are correct, assisting the DP, and organizing equipment on set and in the camera truck. I was also in charge of media management.

My duties included pulling focus and tracking the subject on static shots or dolly. In addition, my duties consisted of prepping the cameras prior to the shoot, testing the lenses to ensure the distance marks are correct, assisting the DP, and organizing equipment on set and in the camera truck. I was also in charge of media management.

My duties included pulling focus and tracking the subject on static shots or dolly. In addition, my duties consisted of prepping the cameras prior to the shoot, testing the lenses to ensure the distance marks are correct, assisting the DP, and organizing equipment on set and in the camera truck.

My responsibilities included creating the visual style for the movie by collaborating with the director. I was also the camera operator for this shoot using the Ronin, Easy Rig, and Dana Dolly to achieve the ideal composition. I was responsible for running an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

Part of my duties included prepping the cameras prior to the shoot, assisting the DP, Camera Operator, and 1st AC, slating each take, logging camera data, setting up video village, managing camera power supply, cleaning lens and filters, and organizing equipment on set in and camera truck.

My duties included pulling focus and tracking the subject on static shots or dolly. In addition, my duties consisted of prepping the cameras prior to the shoot, testing the lenses to ensure the distance marks are correct, assisting the DP, and organizing equipment on set and in the camera truck.

My responsibilities included creating the visual style for the movie and collaborating with the director. I was also the camera operator for this shoot using the Ronin, Easy Rig, and Dana Dolly to achieve the ideal composition. I was responsible for running an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

Part of my duties included prepping the cameras prior to the shoot, assisting the DP, Camera Operator, and 1st AC, slating each take, logging camera data, setting up video village, managing camera power supply, cleaning lens and filters, and organizing equipment on set in and camera truck.

My duties include supplying the production with power via generators and distribution of onsite sources. I was in charge of delegating duties to several other crew members under my department. I also setup lights units according to the DP's wishes and worked with the Key Grip to dial in the correct intensity of the unites.

Setting up the cameras and working with the other operators to get the best shot angles.

Building the camera for operation on DJI Ronin and handheld rigs. I also set up video village, managed media and battery power supply, logged camera data, and slating.

I was responsible for prepping two Alexa Studio Cameras at Panavision prior to the shoot. I was also responsible for assisting the 1st AC and Camera Operators, slating each take,logging camera data, setting up video village, managing camera power supply, and organizing equipment on set in and camera truck.

I set up 1-3 cameras shoots for a variety of show formats, including interviews, live tours, concerts, green screen, short films and live events indoor and outdoor. My duties also include assisting the sound department and setting up lights for various subjects including the elderly.

I shoot live events for streaming content of sermons, speeches, and concerts. Each event is a four camera shoot. I listen to the director on headset that calls for specific shots and I execute perfect framing, panning, and zooming with the movement of the subjects.

Building the camera for operation on Jib and dolly. I also set up video village, managed media and battery power supply.

I designed the visual style of the show and managed the camera, grip and electric crew.

I designed the visual style of the film and managed the camera, grip and electric crew.

Setup exterior lighting and grip equipment. I also setup dolly tracks and dana slider for the camera department.

As the First Assistant Camera, I built the Sony FS7 and changed the settings to the specifications of the DP. I also pulled focus on all the shots.

This was an interview and musical performance by the singer.

Setting up lighting and support according to the lighting scheme of the DP.

My responsibilities include creating the visual style for the documentary and collaborating with the director.

I was in charge of the installation of monitors and speakers signal feed for simultaneous viewing of the live show. I also assisted the production with various other technical needs.

I was responsible for building both Red MX and Black Magic cameras that were used on the show. I also maintained the focus during complicated camera maneuvers.

My responsibilities include creating the visual style for the show and collaborating with the director. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

I built the camera and adjusted the setting to the DP's specifications. I also composed shots while keeping the subjects in frame with their movement.

I built the camera and adjusted the setting to the DP's specifications. I also composed shots while keeping the subjects in frame with their movement.

I was responsible for building the camera, keeping the shots in focus and giving the 2nd Camera Assistant directions.

Compose shots for documentary style run and gun production. Worked with several animals and talented actors.

My responsibilities include creating the visual style for the show and collaborating with the director. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

My responsibilities include creating the visual style for the show and collaborating with the director. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

My responsibilities include creating the visual style for the show and collaborating with the director. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

Responsible for off loading sound and Red Epic footage, then backing up footage to separate drives. I created a number system with the assistant cameramen to ensure mags would be properly identified and no footage would be accidentally erased.

My responsibilities include creating the visual style for the show and collaborating with the director. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

I was responsible for the camera pick up, preparing the Red Scarlet camera package, building the camera, and keeping the shots in focus.

Responsible for off loading Red Epic footage and backing up footage to separate drives. I created a number system with the assistant cameramen to ensure mags would be properly identified and no footage would be accidentally erased.

I was responsible for offloading and transcoding Sony F65 footage. Verifying the footage had offloaded properly and helping the DP come up with LUTs for various lighting setups and scenes.

My responsibilities included balancing the RGB values, adjusting contrast levels, power windowing specific areas of a frame to correct mistakes and certain keying colors. I also sat with the DP after the first pass to create more LUTs and finalize the grade for the feature film.

My responsibilities include creating the visual style for the show and collaborating with the director. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

I was responsible for rigging lighting setups and working along side gaffer to shape light. I also delegated duties to the other grips who were working under me.

I was responsible for the camera pick up, preparing the camera package, building the camera, and keeping the shots in focus.

My responsibilities include creating the visual style for the show and collaborating with the director and VFX Team. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

I was responsible for the camera pick up, preparing the Red One camera package, building the camera, and keeping the shots in focus.

My responsibilities include creating the visual style for the show and collaborating with the director. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

My responsibilities included creating the visual style for the documentary,finding the subject matter, traveling oversees to Africa, and collaborating with my production team members.

I was responsible for the camera pick up, preparing the Red Epic camera package, building the camera, and keeping the shots in focus.

I worked along side other grips to setup overheads, rig c-stands, flags and nets, dollies to quickly expedite the shooting order for the day.

My responsibilities include creating the visual style for the show and collaborating with the director. I also run an effective camera, grip and electrical department to carry out the lighting plans and camera setups.

I worked along side other grips to setup overheads, rig c-stands, flags and nets, dollies to quickly expedite the shooting order for the day.