Jon Crawford

I helped an Australian crew shoot an episode in Los Angeles, shuttling them through the locations scouts, camera and lighting pickups/drop offs, purchasing art department and crafty supplies, locking off locations and talent wrangling.

Involved in all production aspects from prep until wrap of the show including setting up, opening and closing the office, handling the phones, copying and filing all production and accounting documents, preparing for production meetings, doing pickups and runs, light cleaning.

Worked as a set PA for a live improv comedy series, setting up the staging areas and green rooms, unloading crafty and production supplies, wrangling audience members and doing release forms.

I helped an Australian crew shoot 3 episodes in LA and Las Vegas doing transportation for location scouts, camera and lighting pickups/returns, talent wrangling, crafty shopping and locking off locations.

Worked as 1st AD for a SAG ultra-low budget pilot, 5 days of shooting, responsible for set management, all actor call times and call sheets.

Worked as a set PA for pickup shots, set dressing the locations, loading and unloading production equipment, crafty and lunch runs, talent wrangling and locking off locations.

Worked from prep until wrap setting up the office, assisting in brainstorming and task development, print and distro of all production and accounting documents, post and accounting deliveries to set location.

Worked as 1st AD for an ultra-low budget web series. 5 days of initial shooting with pickups. Heavy stunts and shooting for CG post effects.

Assistant to the VP of Production, Dave Calloway. Responsible for handling phones, schedules, booking travel, script coverage, updating all production and accounting documents to an Entertainment Partners VPO online system, served as Office Manager and responsible for purchasing office supplies, vendors, and dealing with parking and maintenance.

Worked as the Director's Assistant transporting him to set, running his personal errands, keeping track of his script and shooting notes, as well as typical production PA duties.

1st AD for a SAG/AFTRA low budget feature with 9 days principle photography, 120 page script, two weeks prep and a large cast. Responsible for managing the set, talent wrangling, calls sheets and PRs.

Involved in all production aspects from prep until wrap of the show, including setting up the office, handling the phones, distribution and filing of all production documents, filing and deliveries for accounting, and setting up accounts and pickups for vendors.

Served as Assistant to the Executive Producer, Paul Mason, and provided feedback through the various script drafts, worked as an on-set production assistant in Louisiana through shoot days, attended and provided notes through editing and mixing stages.

Assistant to Executive Producer Paul Mason. Responsible for scheduling, booking travel, handling phones, script coverage, research, adapted two screenplays, served as Associate Producer for two feature films, Committed and Creature.

Worked as Assistant to the Executive Producer Paul Mason and adapted the original screenplay that was sold and rewritten into a Canadian feature.

1st AD for a SAG/AFTRA ultra-low budget feature with 2 days of shooting and a 110 page script.

Worked as 2nd AD for an ultra-low budget short. 5 days of shooting with heavy stunts and gunplay. Responsible for talent wrangling.

1st AD for a SAG/AFTRA modified low budget feature with 26 days principle photography, one month prep, a large cast, heavy stunts and gunplay with helicopter and yacht days. Responsible for managing the set, wrangling talent and call sheets.