Jaime Manheimer

Responsible handling all deliverables and corresponding with the Network. Including doing shot sheets, managing and tracking releases, and doing blurs lists for every episode. Scheduled Travel and logistics for field crew, as well as call sheets. Reconciled all Petty Cash and P-Cards. Hired production assistants for field crew. Act as point of contact for all contributors featured on show.

Responsible handling all deliverables and corresponding with the Network. Including doing shot sheets, managing and tracking releases, and doing blurs lists for every episode. Scheduled Travel and logistics for field crew, as well as call sheets. Reconciled all Petty Cash and P-Cards. Hired production assistants for field crew. Act as point of contact for all contributors featured on show.

Drove sprinter round trip to Cincinnati. Loaded and dropped off gear.

Runner, driver, some on camera work with talent

PA for development shoot. Tasks included driving, loading/striking gear, and interacting with talent.

Assistant to the Assistant director. Duties included cueing talent, overseeing STEW/reality, managing schedules, and rotating camera ops, while being in constant contact with the directing team.

On set responsibilities included wrangling talent, driving and doing runs all over NYC, and being an all around production assistant. Prior to shooting I worked as an office PA, in which scouting locations, doing background checks, and transcribing were some of my responsibilities.

• Conduct research on projects in the development stage • Responsibilities include pitching show ideas, casting, and production • Recruiting talent for upcoming development projects and give valuable input to help create sizzle reels • Work with department heads, attend pitch meetings, edits, and production Production assistant experience on several development shoots.