Filming police officers in line of duty for television series. Shooting style was hand-held, run-and-gun cinema verite coverage. Additional duties included producing story in the moment to fit show format, handheld camera operating, audio monitoring and rigging dash cams. Equip: Sony FX6 camera.
Summary
NYC based Producer/Shooter
Credits
10/23 – Current
Producer/Shooter – Police 24/7 (Season 1)
The CW — TV — Mulholland Media Details
10/23 – Current
1/23 – Current
Producer/Shooter – To Catch A Smuggler (Season 5)
National Geographic — TV — Lucky 8 Details
1/23 – Current
Filming US Customs & Border Protection officers in relation to intercepting illegal contraband at ports of NY, NJ, Atlanta and Washington DC.. Shooting style was hand-held, cinema-verite coverage. Additional duties included fostering/maintaining relationship with Customs personnel, producing story in the moment and managing media. Equip: Sony FX6 camera.
10/21 – 12/22
Producer/Shooter – To Catch A Smuggler (Season 4)
National Geographic — TV — Lucky 8 Details
10/21 – 12/22
Filming Homeland Security Investigation Agents and US Customs & Border Protection officers in relation to intercepting illegal contraband at ports of New York and New Jersey. Shooting style was hand-held, cinema-verite coverage. Additional duties included producing story in the moment.
9/20 – 9/21
Producer – To Catch A Smuggler (Season 3)
National Geographic — TV — Lucky 8 Details
9/20 – 9/21
Filming Homeland Security Investigation Agents and US Customs & Border Protection officers in relation to intercepting illegal contraband at ports of New York and New Jersey. Shooting style was hand-held, cinema-verite coverage. Additional duties included producing story in the moment. Equip: Sony FX9 camera, GoPro Hero).
8/16 – 4/20
Producer/Shooter – Live PD (Season 1)
A&E — TV — Big Fish Entertainment Details
8/16 – 4/20
Filming police officers in line of duty for live television program. Shooting style was hand-held, run-and-gun cinema verite coverage utilizing state-of-the-art live transmission technology. Additional duties included producing story in the moment, casting and managing relationship with the police department.
3/19 – 3/20
Producer/Shooter – Live Rescue (Season 1)
A&E — TV — Big Fish Entertainment
3/19 – 3/20
7/18 – 8/18
Camera Operator – Yellowstone Live (Season 1)
National Geographic — TV — PLIMSOLL PRODUCTIONS Details
7/18 – 8/18
Camera operating of Yellowstone National Park during live television broadcasts and some pre-recorded segments.
2/18 – 5/18
Senior Producer – Castaways (Season 1)
ABC — TV — Nomad Entertainment
2/18 – 5/18
Media
Recos
Skills
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