Summary

NYC based Producer/Shooter

Credits

10/23 – Current

Producer/Shooter Police 24/7 (Season 1)

The CW — TV — Mulholland Media Details
10/23 – Current

Filming police officers in line of duty for television series. Shooting style was hand-held, run-and-gun cinema verite coverage. Additional duties included producing story in the moment to fit show format, handheld camera operating, audio monitoring and rigging dash cams. Equip: Sony FX6 camera.

1/23 – Current

Producer/Shooter To Catch A Smuggler (Season 5)

National Geographic — TV — Lucky 8 Details
1/23 – Current

Filming US Customs & Border Protection officers in relation to intercepting illegal contraband at ports of NY, NJ, Atlanta and Washington DC.. Shooting style was hand-held, cinema-verite coverage. Additional duties included fostering/maintaining relationship with Customs personnel, producing story in the moment and managing media. Equip: Sony FX6 camera.

10/21 – 12/22

Producer/Shooter To Catch A Smuggler (Season 4)

National Geographic — TV — Lucky 8 Details
10/21 – 12/22

Filming Homeland Security Investigation Agents and US Customs & Border Protection officers in relation to intercepting illegal contraband at ports of New York and New Jersey. Shooting style was hand-held, cinema-verite coverage. Additional duties included producing story in the moment.

9/20 – 9/21

Producer To Catch A Smuggler (Season 3)

National Geographic — TV — Lucky 8 Details
9/20 – 9/21

Filming Homeland Security Investigation Agents and US Customs & Border Protection officers in relation to intercepting illegal contraband at ports of New York and New Jersey. Shooting style was hand-held, cinema-verite coverage. Additional duties included producing story in the moment. Equip: Sony FX9 camera, GoPro Hero).

8/16 – 4/20

Producer/Shooter Live PD (Season 1)

A&E — TV — Big Fish Entertainment Details
8/16 – 4/20

Filming police officers in line of duty for live television program. Shooting style was hand-held, run-and-gun cinema verite coverage utilizing state-of-the-art live transmission technology. Additional duties included producing story in the moment, casting and managing relationship with the police department.

3/19 – 3/20

Producer/Shooter Live Rescue (Season 1)

A&E — TV — Big Fish Entertainment
3/19 – 3/20
7/18 – 8/18

Camera Operator Yellowstone Live (Season 1)

National Geographic — TV — PLIMSOLL PRODUCTIONS Details
7/18 – 8/18

Camera operating of Yellowstone National Park during live television broadcasts and some pre-recorded segments.

2/18 – 5/18

Senior Producer Castaways (Season 1)

ABC — TV — Nomad Entertainment
2/18 – 5/18

Media

  • Live PD_ Meet Officer Blackwell (Episode 4) | A&E

  • Live PD_House Fire Evacuation (Ep. 7) | A&E

Recos

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Skills

  • Post Production
  • Producing
  • Directing
  • Storytelling
  • Casting
  • Field Producing
  • Reality TV
  • Writing
  • Documentary
  • Camera
  • Cinematography
  • Story Producing
  • SONY FS7
  • gopros
  • Sony EX3
  • Canon C500
  • Panasonic HDX900
  • Live TV Camera Operator
  • Sony Fx9
  • Sony Fx6