Guide the film's artistic and dramatic aspects. Visualize story while leading technical crew. Working closely with producer, and the production side including budgets.
Summary
I am a strong communicator with a passion for storytelling. My greatest quality is the ability to gain access to people and their lives. I think it's in my ability to build rapport very quickly. It makes people feel a sense of ease, and trust.
Credits
3/17 – 5/17
Production Manager – All Is Not Lost
Film (Short) — Gee Whiz Films LLC
3/17 – 5/17
4/16 – 4/17
Production Manager – Brooklyn Film Festival
Live/Special Event — Gee Whiz Films LLC
4/16 – 4/17
9/16 – 11/16
Production Manager – Critical Eleven
Film (Feature-length) — Gray Motion Pictures LLC
9/16 – 11/16
4/16 – 4/16
Director – YOU DON'T HAIR
Film (Short) — Juliann Inc
4/16 – 4/16
2/16 – 2/16
Location Manager – Pickings
Film (Feature-length) — Digitial Magic Entertainment
2/16 – 2/16
1/16 – 1/16
Location Manager – Maki
Film (Feature-length) — Tokyo NY LLC
1/16 – 1/16
4/14 – 4/15
Director – Concrete Futuro
Film (Feature-length) — Snowfort Pictures Details
4/14 – 4/15
4/14 – 3/15
Associate Producer – We Are Still Here
Film (Feature-length) — Astraeus Pictures, Snowfort Pictures Details
4/14 – 3/15
Post Production supervision and communication between director, editor, and sound. Hold screenings to solicit feedback. Music management. Creative input.
Recos
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Education
Class of '11
Arizona State University
Bachelor of Science, Nonprofit Leadership and Management
Skills
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