Jason Luna

Build live cameras, transport operators to positions. Camera Assist Broll team. Break down cameras and load camera truck.

Florida DP https://www.youtube.com/watch?v=II6FFc8aej8

Miami Beach Shoot. Piggy Back Photo.

Build cameras, follow technical director protocol and camera location shot list through out the game.

Handheld operator during live game. Sideline commentary to in-game close ups. Also shots of coachs and overall event BROLL.

Unloaded camera truck and built all Fs7 according to shooting protocols. Rehearsal day set up and support with batteries, lens swaps and filters. Wedding day, all day support, build and tear down.

Build cameras with 20x or 50x lens , set up barriers around cam op positions, set up with operators and provide support.

B -Roll and driver interviews. Worked for FD 2018-2019. Toured to Orlando, Atlanta, Jersey and St, Louis competitions.

Followed protocol and technical directors orders. Camera location by track turn, kept car in frame without falling out or behind onscreen-bugs. Lense: Canon Digi Super 86 xs

Docstyle shoot, assisted my assigned camera operator shoot video of youtube personalities testing Michelin tires and during Petite Le Mans race day. Atlanta, Georgia

I followed international youth teams as they entered a professional world and tournament.

2nd Unit Camera Department. Downloaded footage and made clip/shooting day reports. Assisted the ac’s and DIT.

With more than 25 events and 600+ hours, I've camera operated for many different sports like Create Racing, Motocross, College Swimming and Football. For each event I build the camera and assist running fiber cables - also plant go pros into vehicles or on the track. I've traveled all over Florida with them as well as an event in Bimini, Bahamas.

With limited time, we filmed professional soccer players competing against each other for another episode of Drone Shot Challenge Series. Flew the Inspire 2 for coverage and B-Roll.

This was an exciting shoot with so much taleted people. With lots of energy and initiative, I assisted renting out production vehicles, escorted talent/crew in Universal Studios Backlot to our sets. I did lock downs while filming in the theme parks - and I assisted tearing down and repositioning crew/gear to the next location. I went on runs for camera gear, airport pick-up, production supplies and food. We had over-nights and many consecutive shooting days. Overall an amazing experiance and a adrenaline filled production.

For almost 3 weeks, we traveled North and South Florida to interview and B-Roll of Professors, Doctors and a Biologist at their homes and at the University.

In a box truck, I picked up the Alexa Mini from the rental house along with other supportive gear for production. On set I ran cards to DIT and batteries to and from the chargers and camera. We filmed on a race track with sponsored racers. The camera truck was locked up and opened by me.

Achieved ariel shots with the Inspire 2 while professional soccer players - Alex Morgan and teammate Marta try to kick another drone out the air. Flew for B-Roll as well.

For a popular YouTube Personality, I did file management and logging into Adobe Premiere. I synced all the audio and used available music and samples. Creatively I cut together the video and exported the final with a trailer and thumbnail.

Manning camera and directing a lighting team, this promo for a start-up was achieved in 2 nights with a small crew and young actors. This video brought in investors and caught the eye of many celebrities.

With a small run and gun crew, we traveled around Florida interviewing several survivors of the Pulse shooting and Doctors from Orlando Health. I was supporting the Director of Photography during the filming of interviews and B-Roll. Mid/End of day I would take the CF Cards from the Canon C300ii and SD cards from the Sound mixer and make copies in multiple hard drives with logging and organization.

Following protocol, I received cards from multiple cameras to back-up and to give back formatted. Then I created projects and sequences for each scene in Premiere. I linked the audio and did string-outs with all the angles on a certain scene. I as well did multi-cam sets up for the lead editor later.

We worked with and made content for NFL Media and future NFL video games. I assisted building a interview set up for the players and host - at the hotel they were staying at. I did escorting to ESPN Wide World of Sports and did runs for the production. After the interview days, we were on the field with players filming segments very run and gun style.

With the Arri Alexa, we filmed assets with the sponsored Nascar Racer of Babcock Ranch. I built the camera and assisted lens swaps, as well as ran cards and batteries. In-between set ups I would dump and log footage.

Lead a team of photographers and videographers during a week long event. Set schedules depending on the event schedule and film panels. Find clearance in locations prior to sending someone from my team there. Organizing and dumping footage. Consolidating and editing chosen photographs.

While the crew was traveling in California, I visited a Copa America game in Orlando, FL to document the Brazil vs Haiti match and also the love the two countries have for each other.

For this narration, I boom operated and lavaliered the actors while assisting the mixer through out shooting days.

In a horror segment, I was contracted to entirely film a script written by In The Margin and edit a short film to be apart of a horror anthology.

Camera operated during matches and live stream web broadcast.

Boom op for a casting call for the new show on Telemundo called "El Artista". I was partnered with a camera operator and together we did live interviews while following producer protocols. Some interviews were boom'ed and some lavaliered.

Using 788T, I monitor and mix listening for good signal-to-noise ratio, mic the talent with lavalieres and equip boom with relevant microphone. I make sure batteries charged and stocked for wireless equipment. Sound reports. I also assist editing footage on FCP 7 and record sound effects for foley.

Using 788T, I monitor and mix listening for good signal-to-noise ratio, mic the talent with lavalieres and equip boom with relevant microphone. Find a location on set best for good mic placement, well as out of cameras frame. I make sure batteries charged and stocked for wireless equipment. Sound reports.

Using 788T, I monitor and mix listening for good signal-to-noise ratio, mic the talent with lavalieres and equip boom with relevant microphone. I used a boom buddy for interviews. I make sure batteries charged and stocked for wireless equipment.

I'll mic the talent with lavalieres and equip boom with relevant microphone. Find a location on set best for good mic placement as well as staying out of cameras frame. I make sure batteries charged and stocked for wireless equipment. Sound reports.

Snap photos of the directors, award winners and crowd atmosphere. I also filmed a surprise wedding proposal during the award ceremony.