Developing a film's visual style. Determining lighting requirements on set. Deciding on the best camera angles and frames for scenes. Ordering and testing lighting and camera equipment. Supervising a camera crew and directing camera movement. Selecting the appropriate film stock. Determining camera aperture settings. Controlling natural or artificial lighting conditions. Liaising with electricians to ensure adequate electrical supply. Determining elements such as filters, shutter angles, focus, depth of field and camera distance. Editing visual elements in post production.
Summary
I've been told that I'm a fit for many crews because I'm very flexible, I'm a go-getter, I love working hard, I'm friendly and able to communicate in a very effective and respectful manner. I work efficiently and strive for the highest quality work.
Credits
11/23 – 12/23
Director of Photography (DP) (Arri Alexa Mini) – Saint Francis Yacht Club
Saint Francis Yacht Club — Advertising — District Mission Productions Details
11/23 – 12/23
11/23 – 11/23
Director of Photography (DP) (Alexa Mini/Red Komodo/Canon R5C) – Xfinity Trolls 3 Pre Screen Commercial
NBC — Advertising — Goodby Silverstein & Partners Details
11/23 – 11/23
Director of Photography - Developing commercials visual style, determining lighting requirements on set, deciding best camera angles and frames for each scene, supervising crew, directing camera movement, determining camera settings and filtration needed for the commercials aesthetic.
11/23 – 11/23
Director of Photography (DP) (FX9) – Deep Isolation
Corporate — VIVID Productions Details
11/23 – 11/23
Developing a film's visual style. Determining lighting requirements on set. Deciding on the best camera angles and frames for scenes. Ordering and testing lighting and camera equipment. Supervising a camera crew and directing camera movement. Selecting the appropriate film stock. Determining camera aperture settings. Controlling natural or artificial lighting conditions. Liaising with electricians to ensure adequate electrical supply. Determining elements such as filters, shutter angles, focus, depth of field and camera distance. Editing visual elements in post production.
10/22 – 10/23
Director of Photography (DP) (Arri Alexa Mini/Red Ranger, Komodo/Sony Venice/Canon C700 )
Staff Position — Goodby, Silverstein & Partners Details
10/22 – 10/23
Responsible for maintaining all in-house video production equipment, purchasing new equipment, maintaining close relationship with directors and producers. Creating visual aesthetic for each project, creating shot lists, test shoots, picking camera/s and lenses to use for each project, etc.
1/23 – 1/23
Director of Photography (DP) (Canon R5C) – HP|Poly - B Roll
HP | Poly — Advertising — HP|Poly Details
1/23 – 1/23
Developing a film's visual style. Determining lighting requirements on set. Deciding on the best camera angles and frames for scenes. Ordering and testing lighting and camera equipment. Supervising a camera crew and directing camera movement. Selecting the appropriate film stock. Determining camera settings. Controlling natural or artificial lighting conditions. Liaising with electricians to ensure adequate electrical supply. Determining elements such as filters, shutter angles, focus, depth of field and camera distance. Editing visual elements in post production.
11/22 – 1/23
Director of Photography (DP) (Canon R5C) – 4 Spaces
HP — Advertising — HP Details
11/22 – 1/23
Director of Photography
10/22 – 1/23
Director of Photography (DP) (Alexa Mini) – Holiday
Film (Short) — Goodby Silverstein & Partners
10/22 – 1/23
12/22 – 12/22
Director of Photography (DP) (Arri Alexa Mini) – The Dalí's Dream Tapestry - A Collective Dream Experience
The Dali Museum — Advertising — Goodby, Silverstein & Partners Details
12/22 – 12/22
Director of Photography
Orgs
Self ID
I identify with the following groups:
Media
Recos
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Education
Class of '10
Brooks Institute
Video Production
Class of '08
University of Nevada, Reno
Photography
My Gear
Skills
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