Jeffrey Chance

Preformed the theatrical color correction and grading for Evan Cuttler Wattle's short film, KEEP ME. Utilizing Davinci Resolve and Premiere Pro, we created a pallet that visually reinforced the incredible dark comedic elements found within the film.

Colorist for theatrical dramatic film: HUNGER PAINS. Worked with Director Anthony Mickey Plummer and to enhance the visual pallet for the film. As colorist, I conformed the footage, and performed correction and grading. Collaborating with Director Plummer for look development, we created a neo-noir pallet that expressed the dramatic tones present in HUNGER PAINS.

Working alongside CMMPR'S Creative Director, we created a cohesive, fashion forward look for MINERAL AIR'S eight video campaign roll out.

Colorist for theatrical scifi short film: EVASION. Worked with Director Yunbing Li and Cinematographer Maja Feeney to enhance the visual pallet for the film. As colorist, I conformed the footage, and performed correction and grading. With Director Li and DP Feeney, I constructed four different heavily stylized looks that enhanced the visual narrative of the film.

Colorist for theatrical short film: KEEP ME AT BAY. Worked with Director Jingyi Hu to enhance the visual pallet for the film. As colorist, I conformed the footage, and performed correction and grading (creating four different looks for each part of the film and one overall comprehensive look).

Colorist for theatrical short film: REMEDY. Worked with Director Xiaoyu Li and Cinematographer Maja Feeney to enhance the visual pallet for the film. As colorist, I conformed the footage, and performed correction and grading. With Director Li and DP Feeney, I constructed a dream-like pallet that established the visual foundation for the film.

Colorist for music video: Ridin Round. Worked with Director Felix Abeson to enhance the visual pallet for the film. As colorist, I conformed the footage, and performed correction and grading. Collaborating with Director Plummer for look development, we created a heavily stylized pallet that expressed a harsh, dark atmospheric 16mm transfer that fit with the tone of the musical track.

Colorist for Color Ultime's 2020 campaign sizzle reel. With the creative directors of Creative Media Marketing PR; I constructed a natural verite - meets - glam look that sets it apart from its competitor.

Colorist and Lead Finisher for Director Bryan Reynold's short comedy film: Gladys' Beautiful Beard Balm.

As Second Assistant Director I acted as the main liaison with actors, putting cast through make-up and wardrobe.

Preformed the theatrical color correction and grading for Irving Nestor's short film, OPERATION FIRST LIGHT. Utilizing Davinci Resolve and Premiere Pro, I created a light pallet that reinforced the comedic tone.

Colorist for theatrical drama short film: SAFELIGHT . Worked with Director Olivia SUlkowicz to construct a visual pallet for the film. For the film, we took to emulating a KODAK VISION 500T negative to create a unique pallet that throws the viewer into the world of the main character's own photographs.