Oversaw script coverage, took detailed notes for the editor, noted the director’s preferences, and kept track of continuity between shots and set-ups. Included managing continuity for green screen shooting and fight sequences.
Summary
Jenn, a Script Supervisor, based in Los Angeles, has 6 Script Supervisor credits and 1 Production Assistant credit, and has been a member since 2015.
Credits
3/15 – 3/16
Script Supervisor – The Eliminadora
Film (Short) — Goat Milk Fudge Productions Details
3/15 – 3/16
2/15 – 2/15
Script Supervisor – Exhale
Film (Short) — Cubed Productions Details
2/15 – 2/15
Oversaw script coverage, took detailed notes for the editor, noted the director’s preferences, and kept track of continuity between shots and set-ups
1/15 – 2/15
Script Supervisor – The black dog
Film (Short) — AFI Thesis Film Details
1/15 – 2/15
Oversaw script coverage, took detailed notes for the editor, noted the director’s preferences, and kept track of continuity between shots and set-ups
1/15 – 1/15
Production Assistant – Pixemondo
Advertising — Pixemondo Details
1/15 – 1/15
Did drop-offs and pick-ups around Los Angeles, including picking up craft services materials, dropping off checks, picking up costume pieces and purchasing office supplies
8/12 – 8/12
Script Supervisor – Chaos Theory
Film (Short) — LonelyLeap Details
8/12 – 8/12
Oversaw script coverage, took detailed notes for the editor, noted the director’s preferences, and kept track of continuity between shots and set-ups
3/10 – 3/10
Script Supervisor – Merhaba
Film (Short) — NYU Thesis Film Details
3/10 – 3/10
Oversaw script coverage, took detailed notes for the editor, noted the director’s preferences, and kept track of continuity between shots and set-ups on a bilingual shoot in Istanbul, Turkey.
4/09 – 4/09
Script Supervisor – The Sheol Express
Film (Short) — NYU Thesis Film Details
4/09 – 4/09
Took detailed notes for the editor, noted the director’s preferences, and kept track of continuity between set-ups on a heavily detail-oriented film. Assisted the production designers in maintaining the continuity of a set representing two halves of two different train cars, multiple extras, and 1.5 days of green screen shooting.
Recos
Education
Class of '10
New York University
BFA Film and Television Production
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