Budget owner, problem solver, confirming locations, crew, meals, and ensuring SAG requirements. Keeping the budget in tact while the creative team gets their shots!
Summary
Creative problem solver, always supporting the creative team to get the best of the best. Always protecting the assets of the company, saving time and money.
Credits
1/24 – Current
Line Producer – Terrifier 3
Film (Feature-length) — Dark Age Cinema Details
1/24 – Current
10/23 – 11/23
Executive Producer (EP) – Benzel Busch
Mercedes Benz — Advertising — Looney Advertising Details
10/23 – 11/23
• Collaborated with the client, planning lead and creative partners to advise of the planning and execution of the events for the production. • Created the project plan and budget to ensure delivery on time and under budget and AD on set. • Implemented the plan to the team through communication of the processes agreed upon. Crewed up and ensured safety on set
9/23 – 11/23
Project Manager – Hatch
Podcast/Audio — Hatch Details
9/23 – 11/23
• Project lead for high profile client in the podcast space • Working with new technology and remote studios for 7 simultaneous content production • Ensuring proper portable podcast with video kits are built, tested and sent to talent and overseeing the teachings of the set up and operations.
8/22 – 8/23
Executive in Charge (EIC)
Staff Position — Firelight Films Details
8/22 – 8/23
Advising and planning with a macro and micro view of all video bids and in production projects. Lending guidance and expertise for overall organization, writing budgets for different platforms and channels. Assisting with legalities in filming with Unions and minors, scheduling, negotiating rates, and keeping sets safe. Cultivating the company to grow efficiently and effectively with best practices, effective cost reporting and how to budget and forecast costs accurately. Building and implementing systems that function most adequately for this production company and all of its different projects to continue its growth with goal setting, building systems, and proper procedures and documentation in place.
10/22 – 5/23
Line Producer – Black + Iconic Series
Firelight Films — Film (Feature-length) — Firelight Films Details
10/22 – 5/23
Scheduling and budgeting this 4 part special. Managing and overseeing shoots, post, costs, and scheduling. Ensuring all deliverables are met under tight deadlines.
10/22 – 4/23
Director of Production – Sound of the Police
Firelight Films — Film (Feature-length) — Firelight Media
10/22 – 4/23
5/22 – 10/22
Executive in Charge (EIC) – All
Corporate — Digital — Red Summit Productions Details
5/22 – 10/22
Consulting with a macro and micro view of all video bids and in production projects. Lending guidance and expertise for budgets, legalities in filming with minors, scheduling, client interfacing, and crewing up for near future shoots. Supporting staff to provide effective cost reporting and forecasting. Building systems that provide a formula to ensure accuracy and ease for cost reporting, staffing and bidding for this production company and all of its different projects.
6/21 – 1/22
Line Producer – Have You Seen This Man
Hulu — Digital — ABC News Longform Details
6/21 – 1/22
Oversee costs and logistics for this recreation show consisting of interviews all over the US. Manage the shoots and the costs for the shoots ensuring safety. Reporting costs and extending schedules as the first season production gets underway. Working closely with the executives to get the content necessary to make a great show.
Recos
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Education
Class of '21
University of South Florida
OSHA 10 Hour General Industry
Class of '20
Johns Hopkins University
Covid Contact Training
Class of '20
Health Education Services
Covid-19 Compliance Officer Training
Pace University
Business Management
Skills
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