Directed and edited a feature-length documentary about NASCAR Champion Kyle Busch. Worked in conjunction with NASCAR as a first-time documentary director. Managed over 700 hours of archival footage in post-production.
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Summary
Most in my element when determining and maintaining editorial voice and style for a project. A video and entertainment utility player, who excels in the production and post-production process. Delivers high-quality work regardless of budget.
Credits
1/20 – 5/22
Director ( & Editor) – ROWDY
NASCAR Television — Film (Feature-length) — Venture 10 Studio Group. Wright productions, Nascar films Details
1/20 – 5/22
10/18 – 7/19
Director (& Editor) – Kaplan America (Pilot)
Discovery — TV — Discovery Channel Details
10/18 – 7/19
Pitched, directed, and edited a character-centered motorcycle flipping pilot for Discovery Channel. Took the concept from a sizzle to an hour pilot. Managed the whole development of the show, while working closely with the network to lock the format and tone of the show.
1/18 – 6/19
Supervising Editor – Shop Class (Season 1)
Disney+ — TV — Hangar 56 Media
1/18 – 6/19
1/15 – 3/18
Development Editor
Staff Position — HANGER 56 MEDIA Details
1/15 – 3/18
A hands-on editing role consisting of logging, grouping, and editing countless sizzles, presentations, and pilots. Responsible for adhering to budget and timelines set by executives and scaled post-production appropriately. Worked in both Premiere Pro and Avid Composer.
2/13 – 5/13
Development Editor – Full Time
Sizzle Reel — TV — Zoo Productions
2/13 – 5/13
8/12 – 1/13
Casting Editor (FCP) – World's Worst Tenants (Season 2)
Spike TV — TV — Zoo Productions
8/12 – 1/13
7/12 – 7/12
Editor (On Site) – Full Bounty (Season 1)
Spike TV — TV — Zoo Productions Details
7/12 – 7/12
On Site
6/12 – 6/12
Casting Editor (FCP) – Bad Blood (Pilot)
A&E — TV
6/12 – 6/12
Media
Recos
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Skills
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