Jon Merchen

I uploaded cuts for digital delivery as well as delivering physical copies. I answered phones. Transported media to and from our color and sound facilities, the effects houses, and our dailies facility. Helped out with the post producers' paperwork. Watched cuts looking for any continuity errors or other quality issues.

I imported and grouped the footage. The short was shot with two, and a few times three, cameras and was running two system sound. I also did a rough cut of the main foot chase sequence.

I recut this film. Most the editing I did was shorten and reworking scenes. The dance and car chase sequences were entirely scraped and completely redone. New lines were cut in and entire scenes were omitted.

I cut some of the small interstitial scenes for second half of the season as well as doing outputs for the whole season. I also did a lot of the compositing for the later half of the season. We outputted to tape as well as creating high-quality ProRes Quicktime files.

This was an extended sizzle/trailer reel that showcased the tone and look of the project. It's main purpose was to get interest and revenue for a full pilot shoot.

I edited, sound edited, and mixed this series of 8 infomercial style webisodes. I also handled the production audio and some of the G&E work.

After getting the 4k footage from production I would create dailies reels and group the footage for both the director and the editor to look at.