Jonathon Norcross

• Managed a rotating team of assistant editors and junior editors • Supervised the online process for dozens of sizzle reels • Juggled many projects at once and ensured deadlines were met • Wrote and implemented post production workflow guides • Worked closely with executives and producers • Exported cuts, AAFs, and EDLs

• Supervised the online process for six episodes of digital series • Delivered episodes under tight deadlines • Addressed online notes with colorist, mixers, and assistant editors

• Worked on Netflix standup comedy special • Managed project with Los Angeles-based editor and director • Supervised color, mix, and graphics pass

• Coordinated the fast turnaround of a weekly documentary series about the presidential election • Supervised color and sound fixes for deliverables • Responsible for daily footage uploads from multiple field teams shooting across the country and internationally • Delivered tapes, files, and DVDs every week to the network • Selected and uploaded production stills • Ingested footage • Transcoded and uploaded cuts for the network

• Responsible for Discovery Networks deliverables • Assigned tasks to assistant editors on a daily basis • Acquired appearance, location, and logo releases • Oversaw backing up, loading, synching, and grouping of all field shoots • Coordinated exporting and uploading of all internal and network cuts of episodes • Assisted with online, color, and mix sessions

• Researcher for “At the Top” breaking news segments • Archived, managed, and organized tape library • Fulfilled ingest and dub requests • Acquired photographs, news footage, and graphic elements • Completed music cues weekly • Oversaw inventory of media cards, hard drives, and camera gear • Updated show tracker documents and edit schedule

• Assistant Editor for The Baby Wait, a reality series for Logo about adoption • Created selects sequences and edited interviews • Loaded, logged, and organized footage

• Captured tapes and prepared footage for editors • Created selects sequences • Converted and organized media

• Completed a wide variety of administrative work • Corresponded with network executives and film festival programmers • Interviewed, hired, and coordinated interns • Created production documents and maintained organization of all files • Coordinated with after effects team and graphic artists at Edgeworx Studios

• Worked on hour-long TV documentary June 17, 1994 for ESPN’s 30 for 30 series • Found and compiled archival footage and photographs • Previewed and annotated DVDs for the film’s editor • Answered phones and completed administrative work in the director’s office