Joetta L. Wagner

Handling the creation of all content for the website. Possible plans in the works to create some videos. If that happens, I will be working as the line producer.

Vendor negotiations, securing equipment for DP and audio tech, research, location scouting, handling permit and insurance needs, working with SAG in developing signatory status, overseeing transportation, catering and travel needs for cast and crew.

Handling all aspects of a Kickstarter campaign for a new shoe design, from script editing through the shoot and edit. Overseeing budget (very small), casting applications, location scouting, music selection, graphics selection, plus creating copy for soon-to-be-launched website.

Creating the preliminary budget for a non-union ($250K) horror film; research; vendor negotiations; location research; script editor.

Handling budget creation and management, sourcing out, negotiating with, and hiring 4 local ENG crews, arranging travel and transportation for the producer, creating call sheets and shoot schedule for a 2-day (9/9-10) cycling event to benefit the National Multiple Sclerosis Society.

Creation of a fundraising campaign for a revolutionary new women's shoe line.

Working with the writer/director to create a new teaser for a romantic comedy film, scheduled to shoot in 2016. Three scenes have already been shot in full; the remaining 13 days of principle photography is planned for the summer or fall of 2016

Working with the writer/director, supervising producer and co-producer to create the initial teaser (approximately 1 minute long) for the film, to be posted on the production company website and Indiegogo.

Creating the preliminary budget for a romantic comedy feature, $80,000,000 budget, plus documents for a pitch deck. Talent will be A-list. The feature will be all union, shooting in NYC, LA, upstate NY, and South Carolina. Vendor negotiations, associate casting work, location scouting, vetting ad agencies, securing stock footage.

Both on-set and off-set management and organization of cast and crew, including budget creation and maintenance, call sheets, location negotiations, maintenance of all production documentation, including releases and permits. Cast & crew size ranges from 10 to 60+.

Revising and updating the film budget, handling vendor negotiations, coordinating SAG negotiations w/director, organizing cast travel and lodging accommodations. Projected shoot dates Spring 2016.

Budget creation and management for a $1.5M action feature; vendor negotiations including SAG, IATSE, and Teamsters; studio space negotiations; location scouting.

Working as a script doctor/editor on a feature exploring the extreme bigotry and violence used by misguided people against homosexuals in New York City. The film is set in contemporary times.

Research, creating budget, vendor negotiations (both domestic and international), insurance issues, and theme development for a documentary about secular circumcision, from the perspective of "intactivists." Shooting to be done in Rome, Melbourne, London, San Francisco, New York City, and Boston. Edit to be handled in New York City.

Handling all budget and shooting schedule issues, vendor negotiations (including international crews), equipment rentals, insurance and permit issues.

Pulling together materials about secular circumcision for a 1-hour TV documentary. Interviews with experts, (including individuals who are invested in the issue through activist work), research papers, Web sources, some published articles.

Creating budget and preliminary shooting schedule for an independent feature ($3.5M), as well as vendor negotiations, union negotiations, research, tax incentives paperwork (South Carolina), initial management of SAG, DGA, IATSE and Teamsters paperwork and negotiations w/executive producer,casting input, and crew recommendations.

Promoting the recently-completed film, Animal Magnetism, and the writer/director, Cybela Clare, to media outlets, for special New York screening event.

Budget creation for non-union pilot; initial vendor negotiations; initial insurance negotiations; script review; development of logistical overview for shoot.

Scouting for 2 locations for an indie feature: a seedy-looking small strip joint, and a "non-Greek-looking" low-slung restaurant.

Created the script breakdown/shooting schedule: cast, wardrobe, props, vehicles, makeup/hair sessions, catering schedule as well.

Handled all aspects of location scouting, location fee research and negotiations, liability insurance issues and negotiations, location transport, gear management, craft services, cast call sheets, shoot schedule, crew and location call sheets, and overseeing load-ins, shooting, strikes and load-outs.

Handled budget creation/management, research, scouting for 2 locations in Manhattan, created audition ads, hired casting director, rented space & hired camera op for auditions, participated in casting decisions, reviewed and corrected script errors, handled location negotiations, insurance issues, negotiated with and hired NYC-based 1st assistant camera and audio personnel, handled transportation.

Creation of budget and shooting schedule for "Getting Even," a SAG rom-com, initial management of SAG negotiations and paperwork, location scouting, vendor negotiations. Principal photography date TBD.

30-minute series of spoofs for MCU staff to see the "wrong" way, then the "right" way to negotiate member issues.

30-minute series of spoofs for MCU staff to see the "wrong" way, then the "right" way to negotiate member issues.

Behind-the-scenes and runway coverage with a docu-soap "flavor": on-site interviews and b-roll. Budget creation and management, vendor negotiations, scheduling, some post supervision. Location management responsibilities as well.

Docu-reality series investigating natural and supernatural phenomena. Budget creation and management for both sizzle reel and pilot episode, location scouting, vendor negotiations and management, coordination of AFTRA agreements and paperwork w/executive producer.

Investigative docu-reality show exploring both the paranormal and bizarre occurrences in nature.

Corporate Promotion

Corporate Promotion

Sizzle Reel for investors and networks

Romantic comedy: a single female chef seeks love and finds it in an unexpected place.

Following the Elizabeth Arden Red Door Spa Beauty Bus during Mercedes-Benz Fashion Week, as women from high-powered executives to needy job applicants get makeovers: mini docusoap. Behind-the-scenes and runway coverage: on-site interviews and b-roll. Budget creation and management, vendor negotiations, scheduling, some post supervision.

Behind-the-scenes and runway coverage: docu-soap "flavor"interviews and b-roll.

Sizzle reel for prospective clients. Budget & post production.

Eco-thriller set in an alternate reality. Creation and management of film budget, initial vendor negotiations, initiation of agreements with SAG, IATSE and Teamsters, location scouting, casting assistance. Still waiting for final funding.

Behind-the-scenes and runway coverage with a docu-soap "flavor": on-site interviews and b-roll. Budget creation and management, vendor negotiations, scheduling, some post supervision.

Behind-the-scenes and runway show coverage.

PSA on the dangers of inhaling common household product fumes. Both :30 and :60 versions.

Profiles of Chicago "hot spots" -- lifestyle and entertainment highlights of the city.

Profiles of New York "hot spots" -- lifestyle and entertainment highlights of the city.

Budget creation and management, vendor negotiations, post supervision.

Following an amateur American soccer team of firefighters as they compete with Swiss and German teams during the World Cup competition.

Research, contracting and scheduling of all domestic/international taped and live shoots and post, hiring & supervision of F/L producers/crews, vendor negotiations, supervision of editing/VO sessions, deliverables management, project bids, budgets ($3,500-600,000+), location scouting, permits and insurance issues, client contracts, supervision of PAs and department interns.

Reporter Cameron Batten covers the Philips Electronics tent at the Sundance Film Festival,

Reporter Cameron Batten onsite at the Sundance Film Festival at the Philips Electronics tent.

Reporter Cameron Batten at the Sundance Film Festival, Philips Electronics tent.

Worked as the Crew Manager on the Assignment Desk, handling the scheduling and deployment of NABET crews and microwave truck.

Research, contracting and scheduling of all domestic/international taped and live shoots and post, hiring & supervision of F/L producers/crews, vendor negotiations, supervision of editing/VO sessions, deliverables management, project bids, budgets ($3,500-600,000+), location scouting, permits and insurance issues, client contracts, supervision of PAs and department interns.

Reviewed bidding production companies, selecting winning company. Oversaw script creation, production and post. Created and managed the budget. Handled the media buys.

Reviewed bidding production companies, selecting winning company. Oversaw script creation, production and post. Created and managed the budget. Handled the media buys.

Hour drama, about the foibles, failures and breakdowns in spoken communications. "Interactive" via audience call-ins, prompting ad-libbed dialogue by cast.