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Jonathan Shearburn

Philadelphia, PA

http://staffmeup.com/profile/jonnyres

Education Recommendations

Summary

Message

http://www.jonnyres.net

Credits

9/23 – Current

Lead Assistant Editor (Adobe Premiere ) – In The Kitchen With Harry (Season 1)

AMC — TV — Stainless Steel Films LLC

9/23 – Current

11/22 – 8/23

Lead Assistant Editor – Kelce

Prime Video — Film (Feature-length) — 9.14 Pictures Details

11/22 – 8/23

Ingest, sort and sync camera and sound media, rough cuts, ingest, sort and transcode all archival material, create all After Effects and photo animation clips.

4/23 – 5/23

DIT (Digital Imaging Technician) – Hell House, LLC Origins: The Charmichael Manor

Shudder — Film (Feature-length) — Steve Cognetti Films LLC Details

4/23 – 5/23

Ingest sort and sync all camera and sound media, create proxies, assemble rough cuts

5/22 – 3/23

Lead Assistant Editor – Thick Skin (Season 1)

AMC — TV — Uncredited LLC

5/22 – 3/23

9/21 – 10/21

Assistant Editor (Adobe Premiere ) – 825 Forest Road

Film (Feature-length) — Steve Cognetti Films LLC Details

9/21 – 10/21

Ingest sort and sync all camera and sound media, create and upload proxies, create rough assemblies of scenes as production goes on.

12/20 – 12/20

DIT (Digital Imaging Technician) – Dark Side of the Ring

Vice Media — TV — Bell Media

12/20 – 12/20

10/19 – 10/20

Lead Assistant Editor – Last Call

IFC — Film (Feature-length) — Crabs in a Bucket LLC

10/19 – 10/20

5/19 – 5/20

DIT (Digital Imaging Technician) – Hell House, LLC 3: Lake of Fire

Shudder — Film (Feature-length)

5/19 – 5/20

Editor – Hell House, LLC 3: Lake of Fire

Shudder — Film (Feature-length) — Steve Cognetti Films LLC Details

5/19 – 5/20

Editor

7/19 – 7/19

DIT (Digital Imaging Technician) – Untitled Kim Justice Project (Season 1)

Oxygen — TV — Bunim/Murray Productions

7/19 – 7/19

10/18 – 10/18

Assistant Editor (Adobe Premiere) – Tuesday Nights

Vimeo — TV

10/18 – 10/18

5/18 – 10/18

Media Manager – Intervention (Season 20)

A&E — TV — GRB Entertainment

5/18 – 10/18

5/18 – 5/18

DIT (Digital Imaging Technician) – Clair Global

Digital — Live Nation

5/18 – 5/18

11/17 – 11/17

DIT (Digital Imaging Technician) (Assistant Editor) – Hell House, LLC 2: The Abbadon Hotel

Film (Feature-length) — Steve Cognetti Films LLC

11/17 – 11/17

DIT (Digital Imaging Technician) – PaceCo

Lycra — Advertising — Los York

11/17 – 11/17

10/17 – 10/17

Media Manager – Football Fanatic (Season 1)

USA Network — TV — NBC Universal

10/17 – 10/17

Media Manager – Football Fanatic (Season 1)

USA Network — TV — NBC Universal

10/17 – 10/17

6/14 – 8/17

Editor (Premiere)

Staff Position — CorpU Details

6/14 – 8/17

Editor and Motion Animator for internal corporate commuications

8/16 – 8/16

DIT (Digital Imaging Technician) – STAR

Film (Short) — Spring Garden Pictures Details

8/16 – 8/16

Shot on RED and time-lapse on Sony A7

3/15 – 4/15

Director (Editor, Producer) – #BestDayEver Chevrolet

Corporate — Bader TV News Details

3/15 – 4/15

Produced, directed and edited a :90 spot promoting Chevy's "Best Day Ever."

12/14 – 2/15

Editor (Final Cut Pro 7) – Seclusion

Film (Feature-length) — Seclusion Film, LLC

12/14 – 2/15

1/15 – 1/15

Colorist (Online Editor) – What is Beauty

Film (Short) — Spring Garden Pictures

1/15 – 1/15

10/14 – 11/14

DIT (Digital Imaging Technician) (2nd AC) – Seclusion

Film (Feature-length) — Seclusion Film, LLC

10/14 – 11/14

5/14 – 5/14

DIT (Digital Imaging Technician) (Media Manager) – Hell House, LLC

Film (Feature-length) Details

5/14 – 5/14

DIT/Media Manager responsible for a variety of different camera including EX1, F3, 5D and GoPro

3/14 – 3/14

Assistant Editor (Final Cut Pro 7) – Progress and Unrelated Things

Film (Feature-length) — Progress and Unrelated Things, LLC

3/14 – 3/14

2/14 – 2/14

Swing – Frankenfood (Season 1)

Spike TV — TV — Sharp Entertainment

2/14 – 2/14

6/11 – 2/14

Editor (Final Cut Pro) – Watermelon Magic

Film (Feature-length) — Spring Garden Pictures Details

6/11 – 2/14

Watermelon Magic is a 40 minute children's film for the IMAX market that pairs high-resolution stills at varying shutter-burst frame rates with stunning time-lapse sequences. In addition to editing the film, I had to develop a workflow that would allow us to finish the film using the 200,000 RAW still images.

1/14 – 1/14

Swing

Rapid Advance — Advertising — JP Productions

1/14 – 1/14

7/06 – 7/13

Editor (Premiere, Avid, Final Cut Pro 7)

Staff Position — Coyopa Productions

7/06 – 7/13

12/12 – 12/12

Art Department Assistant – Mendoza Group

Aetna Health — Advertising Details

12/12 – 12/12

Assisted with building of bedroom set in a studio

12/12 – 12/12

DIT (Digital Imaging Technician) (Media Manager) – Mendoza Group

Aetna Health — Advertising — Coyopa Productions

12/12 – 12/12

Editor (Final Cut Pro) – Mendoza Group

Aetna Health — Advertising — Coyopa Productions Details

12/12 – 12/12

:30 and :60 spots shot with RED Scarlet, edited in Final Cut Pro and color graded in After Effects using the Magic Bullet Colorista plugin.

8/12 – 12/12

Editor (Final Cut Pro) – National College Football Hall of Fame Awards Ceremony

ESPN — Live/Special Event — Brandbridge, LTD Details

8/12 – 12/12

Responsible for editing all of the video pieces for the award show and live broadcast.

8/11 – 12/11

Editor (Final Cut Pro) – National College Football Hall of Fame Awards Ceremony

ESPN — Live/Special Event — Brandbridge, LTD Details

8/11 – 12/11

Responsible for editing all of the video pieces for the award show and live broadcast.

6/11 – 9/11

Media Manager – Watermelon Magic

Film (Feature-length) — Spring Garden Pictures Details

6/11 – 9/11

Responsible for organizing, naming and backing up the over 200,000 raw (.cr2) still images used to create the film Watermelon Magic

10/08 – 5/11

Editor (Final Cut Pro) – A Portrait of Garfield Weston

Film (Feature-length) — Coyopa Productions Details

10/08 – 5/11

Responsible for editing interviews and incorporating archival photos and video as well as editing abstract segments using Garfield's recordings. I was also responsible for color correction of the documentary.

8/10 – 12/10

Editor (Final Cut Pro) – National College Football Hall of Fame Awards Ceremony

ESPN — Live/Special Event — Brandbridge, LTD Details

8/10 – 12/10

Responsible for editing all of the video pieces for the award show and live broadcast.

3/10 – 6/10

Media Manager (Assistant Camera, Data Wrangler) – Philadelphia: The Great Experiment (Pilot)

ABC — TV — History Making Productions Details

3/10 – 6/10

Responsible for managing and making back ups of all of the camera data as well as assisting the Director of Photography with the camera workflow.

12/08 – 12/08

Editor (FCP) – Shop Your Closet (Pilot)

TV — Coyopa Productions

12/08 – 12/08

8/08 – 8/08

Editor (Final Cut Pro) – Mendoza Group

Votes PA — Advertising — Coyopa Productions Details

8/08 – 8/08

Editor

1/08 – 4/08

Editor (Final Cut Pro) – My Father's Photos

Film (Feature-length) — Coyopa Productions

1/08 – 4/08

6/06 – 6/06

DVD Designer/Author – Fridays at the Farm

Film (Feature-length) — Coyopa Productions Details

6/06 – 6/06

I designed and authored the DVD for this film which included loads of special features and easter eggs.

7/05 – 8/05

DVD Designer/Author – Invisible Mountains

Film (Feature-length) — Coyopa Productions Details

7/05 – 8/05

Responsible for the design and authoring for the DVD release of the feature film, Invisible Mountains.

2/03 – 10/03

Editor (Final Cut Pro) – Arthur B. Carles: Philadelphia Artist

Film (Feature-length) — American Poetry Center Details

2/03 – 10/03

Documentary editor

5/01 – 6/01

Grip – Invisible Mountains

Film (Feature-length) — Coyopa Productions Details

5/01 – 6/01

On this low budget feature film, my official title was grip, however I did anything and everything from camera assistant to craft services.

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Recos

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Education

Class of '00

Fordham University

BFA Film Studies

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